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HomeMy WebLinkAboutItem 8.1 DFA TempArtWork e . CITY OF DUBLIN AGENDA STATEMENT CITY COUNCIL MEETING DATE: March 8, 1993 SUBJECT . . Dublin Fine Arts Foundation (DFA) Request to place two temporary works of art in the city and an exhibition in the civic Center Lobby Report by Diane Lowart, Recreation Director : /Ao /Bo Ray Beldner ~Co Aerial photo of proposed location RECOMMENDATION fll~ co~sider re9uest and, if deemed appropriate, ~. ~. approve staff recommended conditions. FINANCIAL STATEMENT: Potential undetermined Staff and Maintenance costs associated with the coordination of the installation and removal of the Exhibition. EXHIBITS ATTACHED Letter dated March 1, 1993 from Lynne Baer, DFA Consulting Director Proposal for temporary work of art from DESCRIPTION : The Dublin Fine Arts Foundation (DFA) is planning a three month celebration of "Art and the Environment". Through established programs of DFA, the celebration's goal is to create an awareness in the community by presenting artists' responses to man-made and natural environment. The celebration of "Art and the Environment" is scheduled for April through June, 1993. correspondence has been received from Lynne Baer, consulting Director of DFA, requesting approval to place two temporary works of art in the city of Dublin and an exhibition in the civic Center Lobby as part of the IIArt and the Environmentll celebration (EXhibit A). Temporary Sculpture Exhibition The Foundation requests approval to place two temporary works of art in the City of Dublin. The temporary works are planned for installation the week of April 12, to coincide with Dublin Pride Week. Exhibit B contains a proposal from Ray Beldner for his insta~lation on the hillside near San Ramon Road and Vomac Road. The proposed sculpture is titled, NATURE REMAINS, and will be constructed out of metal, mesh and recyclable materials donated by Livermore-Dublin Disposal. As described in the proposal, the sculpture will be approximately sixty feet long and each letter will be four feet high by three feet wide by one foot deep and will be made of a steel framework covered in one inch galvanized metal wire mesh. The letters will be attached to the hill by appropriate fasteners and will be filled with recyclables (glass containers, cans, plastics, and paper). An aerial photo of the proposed location is attached in Exhibit C. Staff would recommend that in the event that this Exhibition is approved, all installation methods, as well as location, be reviewed and approved by city PUblic Works Staff in order to protect landscape, irrigation, and other improvements. Additionally Staff would recommend that DFA assume responsibility for weed abatement under and around the proposed sculpture throughout the duration of the exhibition. As has been done with previous exhibitions, Staff would recommend that the city Council's approval also require a condition for the Artist to execute a waiver from any claim during the Exhibition and that the Artist retain all responsibility for insurance. ::::-::~~-------::::::-::~--:::-:::::~-:::::::::~-:::----------- Lynne Baer, Consulting Director, DFA >( ReF 900 - 60 CITY CLERK FILE ~ e e The artist for the second exhibition is still under consideration and DFA will submit a proposal for City council consideration at the March 22, 1993 meeting. Temporary Lobby Exhibition Another component of the IIArt and the Environmentll celebration is a lobby exhibition highlighting the works created by 4th and 5th graders from the Art Education in the Schools program. The temporary exhibition will begin the week of May 10 and continue through the end of June. At the January 27, 1992 meeting of the Dublin City council, the Council authorized Staff to approve Exhibitions where the value of the work displayed does not exceed $5,000. As the works do not exceed this dollar limit, City Council approval for this Exhibition is not required. Recommendation staff recommends that the City council consider the request. Staff recommends that the approval be subject to the following conditions: 1. All installations, including location, shall be approved by the Public Works Department. 2. Staff shall prepare a signed waiver to be completed by the Artists. ogo Ii' () 1.I N I) ^ 'l' e (,) J\J ,) lJ B Ll .N It' .1 I\J 11; e ^ 'J~ '.1' (' .::'1 EXHIBIT A March 1, 1993 Mayor Pete Snyder city council Members city of DUblin DUblin civic Center Dublin, CA 94568 Dear Mayor Snyder and City council Members: The Foundation's first commissioned art.work, "GAIA", by Ned smyth.stands for the principal of t.he earth as a living organism t.hat is an int.errat.ed and interbalanoed whole. Using this idea and Ned's image as a starting point, the Foundation is planning a 3 month(April-June) celebration of "Art and the Environment". Through our established programs, the celebration's goal is to create an ~wareness in the community by presenting artists' responses to man-made and natural environment. The Foundation requests approval to place two temporary works of art in the city of Dublin and an exhibition in the civic Center lobby of works created by 4th and 5tn graders from our Art Eduoation in the Schools program. The temporary sculptures are a continuation of th~ Dublin Soulpture and the exhibition will highlight our School program. The temporary works are planned for installation the week of April 12 - uublin Pride Week - and the temporary exhibition will begin the week of May 10 and both will continue through the end of June. I have enclosed the proposal of Ray Bel~~~or his installation on the hillside near San Ramon · The other artist is still under consideration and I am requesting approval in concept for that temporary sculpture. I will work with Diane Lowart and the Public Works Department for concerns of suitability and public safety. Not only is Ray Beldner an exciting and accomplished artist, he is also a graduate of a Livermore High School and is pleased to be creating a work for his "home town". Livermore waste Management has agreed to supplY materials for our artists and work with us to pUblicize the celebration. 1'.11. 1111 X J'II~.lllIlIl.Ii\. C.\ Illi,cd: I' .... J } l j I ~ &1 J~ v .1 N .11; A " 'I' " I" 0 lJ .N )) A 'J' 0 1\ I,; e e Q~O ~ Page 2 . . The Fonndat.ion appraoiat.es tho cont.inued support of the <::1 ty Counoil 1n our e~f.orts to integrate art int.o public Sp~t;aR of the community. We are exci'tad about thi::; pro9ram and fQQl it wIll focus attent.ion on art and the environment Clreativaly, pOEsitively, and educationally. PlaasQ do not hesitate to cont.act. me if rou have any further questions. a6:,:~ga/S~._..._ Ly~na Raer Consultinq nirector I ~ I'll. Jl(I\ :"IJ;.'. 111'111.1:'\, (..\ "i,I~lhll " e EXHIBIT B e N).TURE REMAINS A publlu ~rt Project For The city of Dublin I am intoro~ted in creating a site-specific sculpture on part of the gri:\$o)' hilJ.siu~ parallel to San RtUllon Boalevr.n;e.l RoAb (near Vomac Huttd) usin9 primarily r~cyclable diA~ards. Thl~ proposed area POSf;:::> many chaJ.l':'l"1gGlG in uunsid~riIllJ Auch a piece. 1 am aware tha~ r~cyclable items auch ~~ paper, plastic, 91~sa bottle~, tin and aluminum can~, have the poLential for l'.t'oblems in an opa1"1, accel::.~i bl e place. Id.l.'st, there is conoern with tho cleanliness of thu materials and how that can affect the public. Second, one munt ~a aw~re of the potential for accidents around tin and glass containers. Lastly, there is a need to proteul:. the recyclobles from theft or being dispersed by viewers or the wind. A work on or near ground level in contact with hundreds of people, can be damaged, or harm someone for many of t.he above reasons. Because of the nature of this highly visible site, as well as the problems inherent in working with recyclable materials, my ideas for a piece became focused on creating a work that was easily viewed from passing cars and f.oot traffic, was conceptually accessible, and y~L was completely safe and indestructible. This area is apparently physically restricted to the public, yet it is in f.ull vi~w. so, in the tradition of many public monuments, I thought a soulpture, in the form of an inspiring quotation, would be appropriate to commemorate Earth Day. The sculpturB I am proposing is titled, MATURE REMAINS. It is the last sentence in a poem by Walt Whitman: After YOll ha\'c exhausted what tlu:re is in business, politics, conviviality. ;lud so un - hn\'e found th:ll none uf these finallv sfltisfy. Or permancntly we:1\" _ wflllt remilins? Nnture rcmaim, .', I propose to construct this phrase out of metal, mesh and recyclable materials. Each letter will be approximatelY four feet high by three feet wide by one foot. deep and \4ill be made of a steel framework covered in one inch galvanized metal wire mesh. The whole phrase will stretch to approximately sixty feet long. Thf:! lette)..s will be attaohed the hill by appropriate fasteners. They will be filled with recyclables (glass containers, oans, plastics, paper) . '. (::. , " . :. . ,l. ~ . e e. donat.ed from the local sanitation servi.oa. within the clean structure of the words, t.he picce will hava a layered, colorrul look. Best of ~ll, after the e~hibition, all the elements will be removed and recyoled! My intent. i3 to croate an inepi.r.ing and intriguin9 piece as well aG honor the memory and spirit of Walt. whitman. r want. people to learn from Amerioa's greatest poet as well as enjoy t.he piece QS Q sculptural proGonOe. Tho phrase "NaturQ Remains" speak5 to man's transienco in rOlationship to the imporichablc powor of nature. It is Q hopeful lino ~ino~ it implies t.hat, in spite of our follies, nature will continue on. This phrase becomes a double-entendre when filled with recyclables. Then it could also be r.ead as the remains of what has been made from natural raw materials. In that sense, the materials are reminiscent of geologic layering or landfill. It is a reminder at our insatiable consumption of resourses, our mortality, and the earth. RAY BELDNER ':. ~ " > ".~ ;, : ,. J ": 1 ,} 'J ~.:-~~!:;, :1. . ... . '. ..,.,' r~' " . . " \ \ ,. '- \ ~.... , \:- ..l. . 1 I ,. . .....: '.'1 < "" : . : . "J' ' ! I . "'" I. . \., . ."., '\. .'1 :'; ,\," ~ i i . i i I I \ ,\ , \ , .. 'l' .: I. i ':; ., "::'11 ... "",' . .t._. ...: I.... .. I } ~ ..: - l . i :.<~, <'i' ~ . I \ '.:. I' ':c:~~t.. J \ .... ,..\-. '. '\ I . . ~ . , . "\: .:.... ", . ...... .... 1:" :. .- '.- ',,' . . . ) ., ,. l . -. I' I .1 I.. . .! \) ,. VI ..... ;.: t, rJ. I ~ ~, IU I ~. ~ ~ ! l~ ~ , l" ... ., ~ .~ }: . , .! r. i? ~ . 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