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HomeMy WebLinkAbout8.2 Public Art Recommendation for Fallon Sports Park �K"�� a�� �.����� r � AGENDA STATEMENT CITY OF JOINT MEETING OF THE DUBLIN HERITAGE AND CULTURAL ARTS COMMISSION AND PARKS AND COMMUNITY SERVICES COMMISSION MEETING DATE: November 17, 2014 SUBJECT: Public Art Recommendation for Fallon Sports Park Prepared by Ann Mottola, Heritage and Cultural Arts Manager ATTACHMENTS: 1. Artwork Location 2. Artist Proposal 3. Artist Resume 4. Artwork Images � RECOMMENDATION: Recommend Heath Satow to the City Council for the design, fabrication and installation of the public artwork at Fallon Sports Park. FINANCIAL STATEMENT: None DESCRIPTION: On May 20, 2014 the City Council adopted the 2014-2019 Capital Improvement Program (CIP), including the public art project at Fallon Sports Park. Six artists were approved by the City Council at the May 4, 2014 City Council Meeting to be retained in a pool of pre- qualified artists for this project and the John Monego Court public art project. The artists included: Troy Corliss, Blessing Hancock, Heath Satow, Christopher Weed, and Susan Zoccola. These artists were invited to develop site-specific proposals for consideration by a Public Art Selection Committee. On November 1, 2014 the Public Art Selection Committee, comprised of inembers designated by the City Council, convened to review site specific public art proposals for Fallon Sports Park prepared by the five artists. The following criteria were used in evaluating the proposals presented included: Quality of Artwork • Artistic excellence, expression, and execution • Design capabilities inherent in quality of artwork • Innovative concepts and/or materials • Timelessness of artwork � Compelling theme or context • Uniqueness of work to the City of Dublin • Potential for work to enrich, diversify City's.Public Art Collection Site Considerations N COPIES TO: Public Art 5election Committee Members ITEM fd0: 8.2 G:\COMMISSIONS&COMMITTEES\PARKS COMMISSIONWGNDSTMT�2014\11-17 Item 8.2 Public Art Recommendation for Fallon Sports Park,doc ,� • Appropriateness of materials for site • Consideration of human usage of the site and public accessibility to the artwork • Consideration of architecture, light, natural, manmade and social environment Experience • Ability to design, fabricate and install artwork • Experience working in particular media, scale, durable materials • Experience with projects of similar scope and type Other Considerations • Ability and willingness to collaborate with City staff, design and engineering professionals, stakeholders, and contractors � Consideration maintenance, safety, and longevity Heath Satow's proposal, "Elatus," was selected for recommendation to the City Council and Commissions by the Public Art Selection Committee. "Elatus" will be located at the southeast corner of the park, at Lockhart Street and Central Parkway. The sculpture will be accessible to the community. It is sited on the walking path that will run the perimeter of the park. The proposed artwork is approximately 28' tall overall and consists of a 6' concrete base and 22' sculpture. The material for the sculpture is highly-polished, mirror finish stainless steel. The material for the base is smooth cast concrete. In his proposal, Mr. Satow stated his concept for the artwork: "'Elatus' expresses athletic triumph; the celebration of joy and glory — when game and athlete become one." This monumental sculpture will provide an iconic landmark for the Dublin community and its many visitors. 2of3 �"r a - - . . . .. - - - _. :- - - - � :T: � j �{ �I. ��l `I � t � � ' . ' ' .i T ,. ., � � :g" _ _ 7�_ � 1�_± .�. , ,- � � � i _ f ,� LL �d �I � �P � RT � F� �t �al� l��1a� STER P L � I� I �ry '��il 1!I '��. 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' '-'- -------- �---'- - —--' -- ���'� H EI�TH �J�iTO� 1218 S SANTA FE AVE � C � t_.. �T LJ R � LOS ANGELES CA 90021 626.318.5950 WWW.PUBLICSCULPTURE.COM HS@PUBLICSCULPTURE.COM Elatus A sculpture proposal for the City of Dublin's Fallon Sports Park "The glory of sport is born at the moment when the game and the person becoine o�e, when all the complexity of one's life firrds a moment to emerge in the game." — Timothy Shriver, Ph.D. Inspiration• In team or one-on-one sports, the root of the athletic experience is to reach deep and realize one's best abilities. It is this concept which inspired my contemporary stainless steel sculpture Elatus. With its highly polished mirror-finished surfaces, Elatus expresses athletic triumph; the celebration of joy and glory—when game and athlete become one. Site location: Site visits are critical to me. While drawings can be used to select what seems to be a logical placement, that can all change dramatically with a site visit. When i visited the site, it was clear to me where the piece belonged: high on the hill at the corner of the park. Locating a significant work here creates an epic statement; with sweeping vistas, it is surrounded by sky from every view. I knew at once the piece must be regal with a commanding presence to create a timeless, iconic landmark for the City of Dublin's Fallon Sports Park. With Dublin being named after a port city in Ireland, I was drawn to the peak of this hill, viewing it like the bow of a ship. This was the spot. ATTACHMENT 2 Title: The Latin title is intended to evoke connotations of ancient Greek mythology and their Olympic Games, the foundation of modern sport. Elatus elatus verb Perfect passive participle of effe�°o ("bring or carry out, forth or away; produce; lift up"). raised, elevated, exalted, extolled, transported, lifted Sculpture description: The shape of Elatus evokes the human form at its greatest potential: the familiar silhouette of an athlete in full body extension. You see this in all sports; from the soccer goal keeper diving to intercept, the tennis player serving, a baseball player making the impossible catch and a basketball slam dunk. The "bow of a ship" image inspired thoughts of figureheads on ships. This tied in perfectly with the arched sports figures. There is familiarity in the imperfect symmetry of Elatus. The sculpture does not present an immediately obvious meaning, but is easily within grasp. The enigma is revealed upon altering your viewing perspective: this is an athletic form. Strong. Regal. Proud. The sculpture's shape is a contemporary form rooted in the historical: subtle references ranging from the powerful form of the ancient Winged Victory sculpture to more subtle nods to Brancusi's Bird in Space and Endless Colacmn can be seen. The forni of Elatus is at once classical and contemporary, reflecting the beautiful surrounding Dublin environment: the mountains in the distance, the grand open sky around it, and the people that walk up to it. Reinforcing the concept of art providing a new perspective, the subtle concave surfaces of Elatus reflect earth inverted to sky. Pedestal: The base is modeled after classic sculpture pedestals (similar to the Statue of Liberty) giving the work a tie to the past and an added perception of importance. On the base are bronze plaques, featuring quotes sourced from interfacing with the Dublin community. Iconic landmark photo opportunitv: The sculpture presents an iconic photo opportunity for teams, a work that will become well recognized as a symbol of this location and Dublin itself. Technical Details: Dimensions: sculpture with pedestal, 28' tall, 12' wide, 12' deep Finished weight: 2500 Ibs. (not including pedestal) Materials: 316 (marine grade) stainless steel, concrete and bronze Finishes: mirror-polished, smooth cast All surfaces are the same radius of ten feet, which, after a short distance from the sculpture, literally flips the visual world upside down due to the optical effects created by a concave surface. Maintenance: Similar to that of a basic car washing: occasional rinsing with water, mild soapy water applied with soft rags to remove any environmenta] deposits, then rinsed clean and dried with synthetic chamois cloth. Since piece is primarily vertical and very smooth, collection of environmental dirt will be minimal. There are no paints or sealers that would degrade over time, and graffiti is easily removed with paint solvent without any worries of damaging a patina. Fabrication• The stainless steel sculpture would be built in the artist's Los Angeles studio.Any outsourced work (laser cutting of parts, etc) will be done locally in the Los Angeles area by shops the artist has worked with for over a decade. None of the work is jobbed out to overseas fabricators. We know we can produce the work we design because we have been building the work ourselves for over two decades. I take great pride in the fact that we have completed every single one of our projects on budget and on time, without exception. My design approach is a collaborative one.As an artist, I remain flexible and open to architectural and committee input while honing the artistic vision of the sculptures. Instatlation: The sculpture would be fabricated in one piece weighing roughly 25001bs. The pedestal would be poured in place on site. A stainless steel base plate would attach with bolts or be cast into the concrete pedestal on-site. Lighting in the pedestal would be wired to existing stubbed electrical on site. Viewer interaction: The sculpture provides a perfect photo opportunity, immediately establishing a sense of place. The piece is at ground level on the walking path scaled such that an entire sports team could stand and sit on the steps of tlle pedestal for a group photo. The changing appearance due to the reflectivity of the surfaces encourages people to move around the sculpture, as the experience of the art changes dramatically with the viewing angle, time of day, and time of year. Project Experience: I enjoy the challenge of creating art that appeals to a diverse audience; from children to art critics. Designing public art for over twenty three years, I am keenly aware that my art not only needs to enrich and engage the community; it must also meet public safety requirements and have a minimal maintenance commitment. My sculptures located in zoos, airports and other locations are examples of successful public art that fulfills these rec�uirements. Thank you for your consideration. Heath Satow www.publicsculpture.com H EATI--I S�TO� 1218 S SANTA FE AVE S C ll L {''� � � E LOS ANGELES CA 90021 626.318.5950 ���r�.: . ------ W W W.PUBLICSCULPTURE.COM , � HS@PUBLICSCULPTURE,COM y t`� RESUME Personal Heath Satow was recently recognized for his "innovative and creative contribution in the field of public art", with the sculpture Ripple, winning the 2012 Americans for the Arts' Public Art Network Award.As Satow has chosen to work primarily in the public art sector, his work with zoos, airports, museums and other highly trafficked spaces are excellent examples of public art that provides a unified site experience and establishes a sense of place. His formal training as a designer enables him to create sculpture that works harmoniously with its surroundings, while his artistic instinct provides inspiration and creativity to produce fresh and distinctive work. His art has been commissioned in locations across the United States, Hong Kong, I{orea, and Dubai. These works have become icons and points of reference for the communities in which they are located. Satow's artistic focus most recently has been exploring reflection as both a literal and metaphorical subject matter—with the environment and viewer activating the sculpture via subtle and serene reflective motion. Utilizing the natural qualities of inetals and other materials to create contemporary yet inviting interpretive sculpture, he designs each work specifically for its location and to meet the goals of the project. His forte in the public art arena is the ability to effectively communicate and engage the viewer using his artistic and interpretive abilities. Passionately committed to environmentally sustainable design, all of Satow's materials are durable and virtually maintenance-free. His sculptures are created through direct fabrication, with all metals being 100% recyclable, and all scraps fully recycled. �ducation 1987-1991 School of Design,North Carolina State University—Graduated with honors with a concentratioil in sculpture. Received 1991 Faculty Award for Excellence in Design. 1988-1993 Apprenticed under sculptor Thomas Sayre at�Clearscapes in Raleigh,North Carolina Heath Satow resume—page 1 of 4 ATTACH1111EIVT 3 Exnerience Satow's initial practical world experience ran concurrently with his college education by working at Clearscapes Sculpture Studio during his studies. Upon graduation he was promoted to Studio Director, overseeing design, budgeting, fabrication, and installation of all projects, including several large-scale public art pieces. After two more years of successfully running the studio, he left to begin his full time career creating public sculpture in 1993. Since then, his studio practice has been primarily focused on creating artwork for the public. Works In Progress Palin Springs and Catl�edrer/City, CA —Bridge Projects Est. cosnpletion: 2016 Nearly 1.5 miles of sculpture, with challenges that included creating work of a scale and detail that could be appreciated at both a pedestrian level and at SSmph. Designs were unanimously and enthusiastically approved by the arts councils of both cities involved in the projects. Art budget: approx. $2,200,000 Ancltorage,AK—Inflorescence Est. completion: 2015 Inspired by sunflower patterns, Inflorescence is a mirror-polished stainless steel sculpture for the University of Alaska, Anchorage's ConocoPhillips Integrated Science Building. The facets of each "seed", "atom" or"cell" create little individual paintings of the world, each one interpreting the same world around it, but each one unique in what it shows us. The sculpture encourages physical interaction with the piece. The viewer can walk directly inside the piece, seeing their own reflection inultiplied hundreds of times. The interior becomes self-reflective, interpretations of interpretations. An interactive lighting program utilizing activity sensors is integral to the work. Budget: $500,000 Taco`rea, WA — YES Est. completion: 2015 Mirror-polished, twenty-foot tall stainless steel contemporary sculpture that will serve as an iconic marker for Bates Technical College's newest campus building. Art budget: approx. $75,000 Recent Public Projects El Paso, TX—El Paso Zoo 2012 A captured moment of excitement, this twenty-foot tall sculpture is of a Harris Hawk in pursuit of its prey, the moment before it strikes. Budget: $]70,000 City of Rosemead, CA —9/11 Menzoria[ 2011 Stainless steel sculpture made up of almost 3,000 elements, incorporating an I-beam from the World Trade Center. Budget: $60,000 Iclzeon, South Korea—Hot Springs Park cei�terplece sculptcrre 2011 Two-ton stainless steel sculpture created on-site for the Icheon International Sculpture Symposium, and chosen upon completion to be the centerpiece sculpture for the park. Project valued at $60,000 Heath Satow resume—page 2 of 4 Other Selected Commissions Los A�zgeles, CA — Wish 2014 25-foot tall Corten (weathering) steel and stainless steel representations of dandelion seeds. Children have been picl<ing dandelion flowers that have gone to seed, blowing and "mal<ing a wish" for centuries. It is that very concept of focusing thought, gathering energy and releasing it into the world which provides the inspiration for this sculpture. Budget; $170,000 Ranclzo Palos VeNdes, CA —Muse 2013 An iconic marker for the Palos Verdes Art Center, Muse is an eighteen foot tall figure made from mirror-polished stainless steel. Budget: $60,000 Los Aizgeles, CA —Ripple 2011 Twenty-foot long aluminum and granite wall sculpture emulating droplets of rain rippling the surface of a pond, in the style of a Japanese Zen garden. i�Vinizer of the 2012 A�nericans foY the Arts'Public Art NetworlcAward Budget: $68,000 Minneapolis, MN, Minnesota Zoo 2008 Twelve life-size stainless steel animal sculptures. Budget: $216,000 Pulm Deser•t, CA - Tacmbling Weed 2008 Five playful stainless steel sculptures at the edge of a development. Budget: $100,000 Cirqcce du Soleil, Las Vegas, NV—Magic Ti�ees 2008 Three life-size rusted steel tree sculptures for a new Cirque du Soleil show in Las Vegas,NV. Budget: $32,000 Dubai, UAE-Projects for Dubai Industricrl City 2007 Five story tall stainless steel hanging mobile and floor-level sculpture representing the mission of this new "city" in Dubai. Total budget:�$110,000 Palm Dese�•t, CA - Ce N'est Pas Une Lizard 2006 Thirty-foot long by twelve foot tall steel and stainless steel entry sculpture for Palm Desert. Budget: $89,000 Dubaz, UAE, DubaiAlurnd�zum—Rdsing 2005 Nine-foot tall, 1500-pound aluminum sculpture for Dubai Aluminum Coinpany Ltd. created for the 25`'' anniversary of the company and presented to His Highness Sheilch Hamdan. Budget: $110,000 Denver Zoo, Denve�� CO—Animals 2004 -2005 Twenty-two life-size stainless steel animal sculptures for the entry plaza. Budget: $225,500 Heath Satow resume—page 3 of 4 References• 1) Patricia Dalbin City of El Paso Public Art Program Coordinator Museums and Cultural Affairs Department 2 Civic Center Plaza El Paso, Texas 79901 (915) 541-4894 dalbinp@elpasotexas.gov Project: 20-foot tall corten and stainless steel sculpture for El Paso Zoo with a budget of$170,000. 2) Richard L. Twedt former Public Arts Manager for City of Palm Desert 74105 Setting Sun Trail Palm Desert, CA 92260 (760) 464-2455 � dickjanetwedt@yahoo.com Project: Two sculptures for a development in Palm Desert in steel and stainless steel,totaling $190,000. 3) Jennifer Henning Public Arts & Special Projects Coordinator Community & Economic Development City of Palm Springs P.O. Box 2743 Palm Springs, CA 92263 (760) 778-8408 Jennifer.Henning@palmsprings-ca.gov Project: Designs for$2 million sculpture for$50 million bridge project connecting Palm Springs and Cathedral City. 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