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Home My WebLink About8.2 - 1522 Kaiser Public ArtOF DU�� 19 82 STAFF REPORT CITY COUNCIL O�G /FOR�� DATE: July 18, 2017 TO: Honorable Mayor and City Councilmembers FROM: Christopher L. Foss, City Manager SUBJECT: Kaiser Permanente Public Art Proposal Prepared by. Tegan McLane, Cultural Arts & Heritage Manager EXECUTIVE SUMMARY: The City Council will consider Kaiser Permanente's proposal for public art for its new Specialty Medical Office /Cancer Center, now under construction at 3200 Dublin Boulevard. STAFF RECOMMENDATION: Approve Kaiser Permanente's proposal for public artwork at its new Specialty Medical Office /Cancer Center. FINANCIAL IMPACT: This is developer - installed artwork. There are no City Funds expended for the artwork itself. DESCRIPTION: Kaiser Permanente is developing a three -story, 220,000 square -foot specialty medical office and cancer center, located on the south side of Dublin Boulevard between Keegan and Lockhart streets. This building is Phase 1A of a larger Kaiser campus. (Attachment 1) As part of the Site Development Review approval by the City Council, Kaiser opted to install public art versus paying the in -lieu fee. Per the Public Art Master Plan, all private developers are required to present the proposed artwork for review at a Heritage and Cultural Arts Commission (HCAC) meeting. Upon recommendation by the Heritage and Cultural Arts Commission, the developer is also required to seek final approval of the proposed artwork by the City Council. Artist Selection Process The Public Art Master Plan encourages private developers to follow an artist selection process consistent with the City's policies for selection of artists and artworks. Kaiser Page 1 of 3 employed a process similar to the City's own "shortlist" method. After Kaiser's architect on the project, Smithgroup JJR, proposed using the north side of the building as a canvas for a large scale environmental art piece, the architect identified a shortlist of four artists who had experience doing similar work of this scale. A committee reviewed the artists' portfolios and narrowed it to two candidates whose work would fit well with the architecture. One of the artists already has many works displayed throughout the Bay Area, including a piece at another Kaiser facility, as well as the corner fountain art piece at Emerald Glen Park. In consideration of that, Kaiser selected the other artist, Rob Ley. Mr. Ley is an adjunct associate professor at the University of Southern California and has done commissions for City of Los Angeles, Municipal Art Commission of Kansas City, Denver Botanical Gardens and Hewlett Packard, among others. His only Bay Area piece was done for City of Emeryville. Mr. Ley's work has won numerous design awards and grants from organizations including the Seattle Design Commission, coD +A (Collaboration of Design and Art), AIA (American Institute of Architects), Americans for the Arts, the Municipal Art Society for New York and others. (Attachment 2) Mr. Ley's proposed piece, Double Exposure, is a wall sculpture composed of 3,000 aluminum panels, individually bent and painted with weather - resistant powder -coat paint, to reflect two different panorama photos. Depending upon where the viewer is standing, the artwork appears to show either a cloudscape or a tree canopy with autumn leaves. (Attachment 3) The technique Mr. Ley will use for the Kaiser project is similar to the technique used on his May /September sculpture, completed in 2014 for Eskanazi Hospital of Marion County (Indiana). That sculpture was selected that year for the Americans for the Arts Public Art Network Year in Review, which recognizes the nation's best public art projects. Staff Review Preliminary designs were reviewed internally by the City's Planning Division and the Heritage and Cultural Arts Manager. Staff has no concerns with the safety or design of the proposed artwork. Staff shared with Kaiser the City's preference that public art be highly visible from roadways and has requested a rendering showing the piece from the sidewalk or auto vantage point and information on the landscaping trees planned for the lot, to help Commission and the City Council evaluate whether the piece is adequately visible. Community Outreach In addition to including City Staff in the review and critique of the artwork, as specified in the Public Art Master Plan, Kaiser performed outreach to the Dublin community. Kaiser sponsored a booth at the May 25, 2017, Dublin Farmers' Market, giving the public an opportunity to meet Mr. Ley, inspect preliminary designs and offer comments and concerns. Kaiser mailed 1,038 postcard invitations to owners and occupants within an approximate 300 -foot radius. The outreach meeting was also publicized through the Dublin Farmers' Market Facebook page. Numerous attendees stopped at Kaiser's Farmers' Market booth to discuss the project Page 2 of 3 and 30 written comment cards were received, significantly more than are typically received at a traditional open house event. All comments were supportive of the artwork. Heritage and Cultural Arts Commission Review The Heritage and Cultural Arts Commission reviewed the proposal at its June 8, 2017 meeting. Commissioners expressed concerns and /or asked for clarification on: the view of the artwork from inside the building; preventative measures being taken to ensure artwork components are secured; variability of the image, as seen from different vantages; and partially obscured visibility from the roadway. Artist Rob Ley and members of the Kaiser design team addressed the concerns. People inside the building will see some color from the artwork, and the design will allow diffused lighting through the windows. Kaiser's structural engineers have reviewed the design and individual aluminum pieces will have redundant bolts to ensure that if a bolt fails, the aluminum piece will not fall. People at some distance from the artwork will see it as a single image, like a painting. Those up close will be able to discern depth, and will see it more as a sculpture. There is no one "best" vantage point. The artist believes viewers will discover their own preferred vantage points. Drivers passing the facility will be able to see the artwork. Street trees and parking lot trees, required by the project approvals, will partially obscure the image, especially in their mature growth, but the artist believes this yet another variation on the view. One member of the public spoke in support of the artwork, but agreed with previously expressed concerns about visibility to Dublin Boulevard traffic. On a motion by Cm. Vonheeder - Leopold, seconded by Cm. Bennett, and by a vote of 4- 0-3 (Commissioners Blackburn, Peesapati and Rawal absent), the Commission voted to recommend that City Council approve the proposed public art for Kaiser Permanente's Specialty Medical Offices and Cancer Center under construction at 3200 Dublin Boulevard. NOTICING REQUIREMENTS /PUBLIC OUTREACH: Kaiser Permanente was provided with a copy of this Staff Report. ATTACHMENTS: 1. Kaiser Public Art Site Map 2. Kaiser Public Art Artist Resume and Portfolio 3. Kaiser Public Art Rendering and Artist Statement hris Foss, City Manager 71712017 Page 3 of 3 DUBLIN BLVD. A N r W W r U H K Q S Y U O J Art Location - Site Plan Scale: 1/64"= 1'-G" E YARD UUU Landscape Plan - Area Adjacent to Art Not to Scale c 128 1 ROS OFF Artwork - Aerial View Rob Ley Studio 2008 Hyperion Avenue Los Angeles CA 90027 ley @rob - ley.com 310.779.2985 Rob Ley CV Professional Experience Rob Ley Studio Art Studio, Los Angeles, CA, 2004 — Present Cliff Garten Studio Public Art Studio, Assistant, Los Angeles, CA, 2000 -2002 Education MArch, Master of Architecture, 2000 University of California (UCLA) — Los Angeles BSArch, Bachelor of Science in Arts & Architecture, 1996 University of Illinois (U of 1) — Champaign Academic Appointments University of Southern California (USC), Los Angeles, CA Adjunct Associate Professor, 2011 - present Southern California Institute of Architecture (SCI -Arc), Los Angeles, CA Design Faculty, Graduate /Undergraduate Design Studios / Graduate Thesis Advisor, 2008 — 2012 University of Illinois — Champaign (U of 1), Champaign, IL Research Assistant, Materials Research Arch /Eng Depts, 1994 -1996 Awards / Grants The Seattle Design Commission, Design Excellence Award, "Wind & Water" piece at Fire Station 20, 2017 American's for the Arts, PAN Year in Review Award, "May /September "art fapade, 2015 CoD +A Public Art Award, 2014 CoD +A Public Art Award, 2013 AIA Upjohn Research Grant, (Joint award with Doris Sung) 2011 The Municipal Art Society for New York, Best Storefront Design - "Reef, 2010 Graham Foundation for Advanced Studies Grant, Supporting funds for "Reef'; An interactive installation at the Storefront for Art and Architecture, NY 2009 AIA Upjohn Research Grant, (Joint award with Joshua Stein), Supporting funds for "Reef, An interactive installation at the Storefront for Art and Architecture, NY 2009 AIA Knowledge Program Research Grant, Supporting funds for "Reef, An interactive installation at the Storefront for Art and Architecture, NY 2009 IDEC Special Projects Grant Woodbury Project Grant, (Joint award with Joshua Stein) 2006 Chicago Burnham Prize, Finalist, 2005 Rob Ley Studio 2008 Hyperion Avenue Los Angeles CA 90027 ley @rob- Iey.com 310.779.2985 Lectures / Exhibits Coercion, University of Southern California, Los Angeles, CA, 2015 "Spatial Inhabitation ", USC: Digital Media, Los Angeles, CA, 2012 Acadia Design Conference, Cooper Union /Pratt Institute, Invited Exhibitor, New York, NY, 2010 "Out There Doing It: ", LA Forum, Los Angeles, CA, 2010 "Immediate Material Futures in Art" Virginia Tech, Blacksburg, VA, 2010 "Behavior, Not Intelligence ", Storefront for Art and Architecture, New York, NY, 2009 "Responsive Materials ", California Polytechnic University, Pamona, CA, 2009 "Light & Materiality ", American Institute Vienna, Vienna, Austria, 2007 "Empathy or Beauty ? ", Woodbury University, Burbank, CA, 2006 "Intro ", (SCI -Arc), Los Angeles, CA, 2004 "A Fair and Balanced Look at Making ", Materials and Applications Gallery, Los Angeles, CA, 2004 "Space, Manufactured ", Milwaukee Institute of Art and Design (MIAD), Milwaukee, WI, 2003 Recent Publications Interactive Installations, Xue, editor of Phoenix Publishing, Tianjin Ifeng space Media, 2015 Beyond, "Eskenazi Hospital Facade ", Tang -Art Design & Information Group Limited, Beijing 2015 Byspace 360, "Parking Structure Art Facade ", Sun, Susan, 2015 AN News, "Overseas Design- Parking Structure Art Facade by Urbana ", Lee, Hyejeong, Seoul, Korean, 2015 Exterior] Magazine, "Parking Structure Art Facade ", Lee, Hwa- joeng, Seoul Korea, 2014 Luel, "Eskenazi Hospital Facade ", Jong Sung, Kim, Seoul, Korea, 2014 BVD, "Eskenazi Hospital Facade ", Kohler, Limor, Tel Aviv, Israel, 2014 Details Architecture Magazine, Jung, Youngran, 37th Issue, pp. 122 -127, Seoul, Korean, 2014 A+A, "May /September'; Yide, Dou, Issue 2014.12, pp. 60 -63, 2014 City Installations, "Draper", Sun, Siren, Hong Kong, 2014 Launching the Imagination: A Guide to Three - Dimensional Design, Stewart, Mary, 5th ed., 2014 Input Output, Patel, Sneha and Ng, Rashida, 2013 Installations, Choi, Beijing, 2013 Installation Art 2, Wang Shaoqiang, 2013 Interior Design: The positivity issue no. 3, "Ripple Effect', Tamarin, Nicholas (March 2012): pp. 90 -91, 2012 Interior Design China, "Rob Ley: Urbana Studio" issue 05 (2012): pp 40 -43, 2012 See Yourself Sensing: Redefining Human Perception, "Environments ", Schwartzman, Madeline. London, UK, 2011 Installation Art, Wang, Shaoqiang, ed. "Reef' pp. 104 -107. Berkeley, CA, 2010 IA &B , "Material Kinetics" vol. 23 no. 6 , Yadav, Hema. (February 2010): pp. 110 -115, 2010 Storefront Newsprints, Grima, Joseph. 1982 -2009. New York: Storefront for Art and Architecture, 2010 Form Journal, "Urbana ": Pioneering Design, 5 to Watch, p. 31, October 2009 Rob Ley Studio 2008 Hyperion Avenue Los Angeles CA 90027 ley @rob - ley.com 310.779.2985 Recent Work Ambiguous, (Public Art Commission), Portland, OR, 2016 Commissioned by the Oregon Zoo, this free standing sculpture takes inspiration from varying examples of the beginnings of life (seeds, spores, pollen, and eggs). Constructed from hundreds of uniquely shaped and formed stainless steel components, the piece is the result of a sophisticated software /hardware approach to making. Pseudorandom, (Private Commission), New York, NY, 2015 Commissioned by Hewlett - Packard in New York, The term random typically implies an output of unpredictable values, though it is fundamentally impossible to produce truly random numbers within a logic based system. This installation exploration of the moment when a seemingly chaotic field reveals an emergent, ordered pattern. This permanent installation is located at the main public entrance to facility. Formidable, (Public Art Commission), Kansas City, MO, 2014 Commissioned by the Municipal Art Commission for the Kansas City Police Department, this permanent public art installation reflects the dual role of public servants, both maintaining a sense of strength and authority, while engaging the community through openness and transparency. The work is suspended within a newly constructed community room adjacent to the police station. May /September, (Public Art Commission), Indianapolis, IN, 2014 Commissioned by Eskenazi Hospital, this building facade project serves as a large art installation situated on the entire south facade of the new facility's parking structure. Comprised of 7,000 colored aluminum panels, the piece abstractly depicts the growing fields which define the regions historic agricultural economy, as well as the hospital's vocal mission to encourage health through prevention and nutrition. 20, (Public Art Commission), Seattle, WA, 2014 Commissioned by the Seattle Office of Arts & Cultural Affairs, this permanent public art sculpture is an exterior, site - specific installation situated on the exterior of a new city fire station. The piece is made from coiled spring -steel clusters, assembled in a gradient pattern that reflects the diversity of the surrounding neighborhood that the station serves. Floating Point, (Public Art Commission), City of Emeryville, Emeryville, CA, 2013 Commissioned by the City of Emeryville, California.. Constructed using a custom -built tube bending fabricating robot, the overall shape of this piece is evocative of cloud -like forms. Draper, (Public Art Commission), Florida State University, Tallahassee, FL, 2011 A Florida State University commissioned permanent wall sculpture for the Visual Arts Department building. This sculpture is formed by draping 50 separate recycled stainless steel strips to create depth and variation along its 70' total height. The piece passes through 5 separate floors and sub - departments of the school, offering each level a unique view of the piece and its floor its own distinct identity. Lumenscape, (Private Commission), Solair Building (Wilshire & Western Station), Los Angeles, CA, 2009 Department of Cultural Affairs commissioned gateway installation located above subway as counterpoint to the intense traffic speed of the busy intersection. Comprised of translucent thermo- formed acrylic & shifting colored LED lighting inspired by surrounding neon signs. Serial Departure, (Temporary Installation), Materials and Applications Gallery, Los Angeles, CA, 2004 Private collection, Los Angeles, CA, 2005 Light installation of serially aggregated plastic modules in an outdoor exhibition space. Translated to outdoor private commission. Reef, (Temporary Installation), Storefront for Art and Architecture, New York, NY, 2004 and Taubman Museum of Art, Roanoke, VA, 2005 Collaboration with Joshua Stein. The movement of the piece's 800 flexible panels evokes the responsive motion of a field of sunflowers as they track the sun across the sky, or a reef covered with sea anemones. Rob Ley Image Identification MIN May / September Ley.01.May_September.jpg I Ley.02.May_SeptemberJpg Ley.03.May_SeptemberJpg I Ley.04.1VIay_SeptemberJpg Year: 2014 Medium: Painted Aluminum, Stainless Steel Budget: $700,000 Size: 55'Hx265'Wx4'D Location: Indianapolis, IN Client: Eskenazi Hospital of Marion County 4 low -- Description: This project began with an interest in challenging the typical notion of the parking structure as an unappreciated infrastructural typology by trans- forming the new Eskenazi Hospital parking structure into a binary, synthetic ter- rain. The effect of a field of 7,000 angled metal panels in conjunction with an articulated east /west color strategy creates a dynamic fa4ade system that offers observers a unique visual experience depending on their vantage point and the pace at which they are moving through the site. In this way, pedestrians and slow moving vehicles within close proximity to the hospital will experience a noticeable, dappled shift in color and transparency as they move across the hospital grounds, while motorists driving along W. Michigan Street will experience a faster, gradient color shift which changes depending on their direction of travel. Rob Ley I rob- ley.com 1 310.779.2985 1 ley @rob- ley.com E r* — a ' I— I Rob Ley Image Identification Formidable Ley. 17.Formidable,jpg I Ley. 18.Formidable.jpg i Ley. 19.Formidable.jpg Ley.20.Formidable.jpg Year: 2014 Medium: Aluminum, Stainless Steel Budget: $225,000 Size: 20' L x 17'W x 11.5' H Location: Police Department Headquarters, Kansas City, Missouri Client: City of Kansas City, Missouri Municipal Arts Commission Description: This hanging sculpture is located in the newly renovated Police De- partment Headquarters building in downtown Kansas City, MO. The silver and gold finished tubes are able to exist as both autonomous elements and as mul- tiple parts that create a singular ceiling sculpture. The piece is inspired by the contradictory duality that police officers must balance between openness and engagement with the community while still carrying a sense of strength and au- thority. Rob Ley I rob- ley.com 1 310.779.2985 1 ley @rob- ley.com Rob Ley Image Identification - r Draper Ley.08_DraperJpg I Ley.09_Draper.jpg I Ley.10_Draper.jpg Year: 2011 Medium: Recycled Stainless Steel Budget: $94,000 Size: 55'H x 18 W x 3'D Location: Tallahassee, FL Client: Florida State University 11 .. p A � Description: A 5 -story atrium, permanent wall sculpture for the Visual Arts De- partment building at Florida State University. This sculpture is formed by attaching and draping 50 separate recycled stainless steel strips in a manner that creates depth and variation along its 55' total height. The piece passes through 5 sepa- rate floors and sub - departments of the school, offering each level a unique view of the piece and its floor its own distinct identity. The installation is a three -di- mensional resultant of multiple two - dimensional photographs that drive various qualitative values in the project. Qualities such as projection distance, degree of curvature, and connection locations are quantified by pixel -level color values extracted from a series of photographs taken around the site. Rob Ley I rob- ley.com 1 310.779.2985 1 ley @rob- ley.com Rob Ley Image Identification Pseudorandom Ley. 14.Pseudorandom.jpg I Ley. 15. Pseudorandom.jpg I Ley, 16.Pseudorandom.jpg Year: 2015 Medium: Acrylic Budget: $100,000 Size: 21'W x 8" H x 8" D Location: New York, NY Client: Hewlett- Packard, New York if w r ,gill�I I i � �uo,uahN1111 � �11�111A1 11Vha�HtNi�N��ii� {d1'l;� Description: The term random typically implies an output of unpredictable val- ues, though it is fundamentally impossible to produce truly random numbers within a logic based system. Since even the first explorations with computers and programming, people have devised various methods to try and trick or tease a random value from computers, though the resultant numbers inevitably ad- here to some recipe of uniform distribution. Thus, over a large enough dataset, the pseudo in pseudorandom becomes increasingly more apparent. This piece, commissioned by one of the world's first computer companies, is an exploration of the moment when a seemingly chaotic field reveals an emergent, ordered pat- tern. Rob Ley I rob- ley.com I 310.779.2985 I ley @rob- ley.com Rob Ley Image Identification Lumenscape 1_ey.11_LumenscapeJpg I Ley.12_Lumenscape.jpg I Ley. 13_1_umenscape.jpg Year: 2009 Medium: Thermo - Formed Recycled Acrylic, Stainless Steel, LED lighting Budget: $70,000 Size: 8'Hx31'Wx18 "D Location: Solair Mixed -Use Development by Wilshire & Western Metro Purple Line Sttion Client: City of Los Angeles Department of Cultural Affairs & KOAR Institutional Advisors Description: An undulating environment of shifting light, Lumenscape activates the entry wall at the top of the public stairway for the new transit - oriented KOAR development project and serves as a luminous gateway in relation to the un- derground subway and the intense speed of the nearby traffic intersection. The varying, animated color palette pulls its soft, glowing references from the array of Koreatown neon signs. The artwork explores the potential of haptic sensations within the normally reserved public space by offering textural surfaces and scales that provoke visual and tactile exploration. Rob Ley I rob- ley.com 1 310.779.2985 1 ley @rob- ley.com Rob Ley Image Identification low * a Serial Departure Ley.05_Serial_Departure.jpg I Ley.06_Serial_Departure.jpg I Ley. 07_Serial_Departure.jpg Year: 2005 Medium: Recycled Acrylic, Stainless Steel, LED backlighting Budget: $65,000 Size: 45'L x11'Hx6'W Location: Los Angeles, CA Client: Materials and Applications Art Gallery Description: A shingled light wall composed of over 300 acrylic panels. Each pan- el has one corner lifted, as if a page turning in a book. Multiplied across the 45 foot wall, this slight move imbues the wall with depth and complexity. The instal- lation has served as the centerpiece and backdrop for the Materials & Applica- tions Exhibition Space in Los Angeles, defining a space for the annual Silverlake Film Festival. Rob Ley I rob- ley.com 1 31 0.779.2985 1 ley @rob - ley.com f'000� .04 r � , Rob Ley Image Identification Wind & Water Rob_Ley_12.jpg Year: 2014 Medium: Stainless Steel Budget: $80,000 Size: 16'Lx16'Hx7'W Location: Fire Station 20, Seattle, WA Client: City of Seattle, Office of Arts & Culture Description: The piece located at Fire Station 20 is a representation of the 3 natural forces present in the control of a fire (fire, wind, & water). Wind, which fuels the flames, was the element outside of human control, while water is the ex- tinguishing element that fire fighters are trained to control. The artwork is made from 1 inch stainless steel tubing, formed in long strands and welded together to create an abstract representation of these natural elements. Rob Ley I rob- ley.com 1 310.779.2985 1 ley @rob- ley.com 1 Rob Ley Double Exposure Medium: Painted Aluminum, Stainless Steel Dimensions: 145'w x 30'h x 4'd Location: Kaiser Permanente, Dublin, CA Double Exposure is a monumental wall sculpture inspired by the way in which we experience and photograph nature, particularly historic techniques of landscape photography and abstract image creation. A double exposure is typically associated with an analog technique of taking multiple photographic exposures on top of a single frame of film. The resultant image then exhibits the characteristics of each exposure, superimposed into a single photograph. This large -scale relief sculpture, integrated into the new Kaiser Permanente building, uses two photographs of the natural environment of the Tri- Valley area to create a visually kinetic composition. The first image, as seen when looking west, depicts a golden canopy of leaves taken from the underside of a tree in autumn, while a second image, seen when looking east, depicts a sunny, cloud filled sky. Both images are abstracted via simplification, cropping and pixilation resulting from the sculptural medium. The artwork offers a variable visual experience depending on the vantage point of the viewer and the pace at which they are moving through the site. The artwork is composed of 3,000 separate aluminum panels that are individually bent into specific angles, and are attached to a panelized aluminum frame /panel system. The resultant panels are then fastened to a steel frame, integrated into the exterior of the north facing building facade. While the artwork is static and immovable, the effect produced by this articulated east/west image strategy is a dynamic fagade piece that appears to move or change as one moves in relation to it. Pedestrians and slow moving vehicles within close proximity to the medical center will experience a noticeable, dappled shift in color and transparency as they move across the grounds, while motorists driving along Dublin Blvd. will experience a faster, gradient color shift which changes depending on their direction of travel. As noted in the technical maintenance record, this artwork is highly durable and requires very little maintenance. Stainless steel and aluminum are non - corrosive materials suitable for outdoor installations. The polyester based powder -coat paint is also weather and fade resistant. Given the artwork's height off the ground, it is not likely to be vandalized. :�Al 9 cz a L E E y co C O cm C N CC +' a _ o ' U O 1 _ L C d � � d Cn cz IC jw CD E Tom" Q V a Q U W co w cm cC E 41 L O O Y O a a v a a' O N E y.. 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