HomeMy WebLinkAboutitem 7.1 Loaned Art Program (2) . v
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CITY OF DUBLIN
AGENDA STATEMENT
CITY COUNCIL MEETING DATE: September 10, 1990
SUBJECT: Dublin Fine Arts Foundation (DFA) Loaned Art Program
(Prepared by: Paul S. Rankin, Assistant City Manager)
EXHIBITS ATTACHED: Exhibit 1 : Letter dated August 29, 1990 from Lynne
Baer, Executive Director
Exhibit 2: Resume of Bruce Beasley, Sculptor
Exhibit 3: Site Plan Showing the Approximate Location
Exhibit 4: Proposed Agreement
RECOMMENDATION: Determine whether it is appropriate for the City to
assume risks associated with the display. If
appropriate, authorize the Mayor to execute the
agreement and direct staff to work with DFA to complete
the installation.
FINANCIAL STATEMENT: DFA will pay all direct costs. The City would
assume insurance costs in the event of a loss
associated with the display. Some additional lawn
maintenance expense will be incurred by the City.
DESCRIPTION: At the City Council meeting on February 26, 1990, the
City Council granted conceptual approval of the efforts by Dublin Fine Arts
Foundation (DFA) to develop a "Sculpture Park" with loaned works of art.
DFA has obtained funding and has requested authorization to proceed with
the first piece of artwork.
An agreement has been drafted which will provide for a one year loan of a
large scale sculpture. DFA is also arranging to have the artist available
for a community forum. The incorporation of educational elements along
with the display of artwork has become a major goal of the Foundation.
The loan agreement provides for a one year display, which can be extended
upon approval of all parties. The Artist does have the ability to remove
the artwork prior to the end of the one year loan period in the event the
sculpture is sold. The City Attorney's Office has termed the agreement as
a consignment. The agreement includes provisions that DFA would receive a
15% commission in the event the sculpture is sold. This provision provides
a method for the City to indirectly support the activities of DFA in the
event a sale occurs.
DFA has reviewed with the Artist the placement of the sculpture. It is
proposed to locate the work in a grass area along Dublin Boulevard. The
general location is west of the large fountain. Due to the scale of the
sculpture, it needs to be set away from the fountain in order to avoid a
sense of "clutter. " The agreement requires that the installation be
coordinated with the Public Works Department. The artist would determine
the precise location as the sculpture is installed.
The maintenance of the turf area beneath the sculpture will also need to be
carefully reviewed. Due to clearance limitations, the area will not be
able to be mowed with larger equipment. The Public Works Director will
need to work with the City's Maintenance Contractor (MCE) to evaluate
feasible methods of maintaining the turf. This may require additional
maintenance costs.
In addition to any additional maintenance costs, DFA has requested that the
City assume responsibility for insurance costs. Staff has worked with the
----------------------------------------------------------------------
COPIES TO:
Ron Nahas, DFA President
Lynne Baer, DFA Executive Director
ITEM NO. +
City's Insurance provider to assess the implications of this arrangement.
Two areas of insurance are involved: liability insurance through the City's
self-insured pool (ABAG PLAN) ; and property insurance which is a group
purchase of a commercial policy.
The City participates in ABAG PLAN for general liability coverage. The
City carries a $25, 000 deductible and annual premiums are based in .part on
losses incurred within the previous five years. The ABAG PLAN Risk Manager
has advised that coverage would be provided in the event of a claim
associated with the display on City property. The issue becomes a policy
decision given the significant deductible which would be at risk in the
event of a claim.
Staff reviewed the circumstances with the ABAG PLAN Risk Manager and it is
believed that the display would not present any significant risk. The
sculpture has been on display previously in a public plaza at the San
Francisco Civic Center. The sculpture will also be located some distance
from the Dublin Sports Grounds, which should avoid the potential for it to
be used as a play structure. It is not possible to provide a guarantee
that a claim would not occur, however, the City should be capable of
providing adequate provisions to limit the exposure.
The City purchases its property insurance under a group policy arranged by
ABAG PLAN. The group policy includes $100, 000 coverage per occurrence for
losses involving fine arts. The City has a $5, 000 deductible under the
policy. Once again, Staff has reviewed the potential for a loss with the
ABAG PLAN Risk Manager.
The sculpture is constructed of stainless steel panels welded together.
The potential for damage would most likely result from vandalism or
potentially an automobile accident where a vehicle runs onto the lawn area.
The amount of coverage is limited and again the City's exposure with a
$5, 000 deductible is significant. The overall decision becomes one of
policy for the City Council.
Representatives of DFA will be in attendance to provide slides of the
artwork and the proposed location. Overall, the project allows for the
display of a large scale sculpture by an accomplished artist. Exhibit 2
identifies Bruce Beasley's background and exhibitions. In addition, DFA
will be arranging for an educational seminar presented by Mr. Beasley.
Staff recommends that the City Council consider the proposal and if
appropriate, authorize the Mayor to execute the agreement.
d .1. N A 1R. C D A. 1.
Counci I I'lerrioers,
Dij,olin Civic Cenier
1c:)1c:)O Civic= Pla7
Dear lt'llayorand City Cniuncil Nen-ibers:
The Founcia-tion is pleasi-:,al to present to the 'k-jity Council for approval
the f irst work of art.- to he loaneil to the Dublin Park-.
The artist, Bruce Beasley, is a very well known sculptor- in the '--,.ay A.rpa
as well as nationally. His wor,�,,s are in many punl',,c and corporate
collections (Vease see the enclosed res,jrne). He has agreed to loan the city
a very b e au t if ul s T a 1 n 1 es s sreel sculpture, tiled 0o e
enclosecl, photograph). it is a very .iarqe i3l_!t araceful work. that is 220 feet
n,igr, by feet wide anci 10 feet in diameter. He rya,,:J visited the ;--'ivic
Center and feels that the nest site for trie W01-.K l: In front on the arassy
area oe T w Pen ne bu i Nina and DAhlin Boulevard. The work is valuer at
ha-c- oll0l.-linea the tcrocessl In-crallartlon and toev reouire
rininimum of effort on the part of the Foundation and C-1tv. The artist will!
c
,)rganize and ;upervise- the trucking the -
e mouro..,-ing of the wor', with a crane
sec�jre To(.) or file on the Spot, and provicle 1:or z 1,')a f c Ll I
p,ure The
o u ri 0 ar i c,ri has recel,ved f urio i i ic, for Thi:-=; p-fart of tfjp ,project "
... I Ir -Ee?--ni
-I e y
also agreed t-c, t alk,e part in an educational program for the -
The Founciation appreciates the C.,t y Councill's conl'inued support! of. our
ffortS to integrate art into public uaces or the comi-nuniTy, Please do nor
nes',r;-:;te to contact rfle it you have any further q(,lest"lons-,
B,o--st regards,
"Y-z
Xy,mr.ip Baer EXHIBIT
Executive Director-
1'.
Bruce Beasley
322 Levels Street
Oakland,CA 94607
(415) 836-1414 6� c I `dLt�
FAX (415) 763-4431
` � 199n
>i�l�' �5 .
BORN May 20, 1939; Los Angeles,California
CITY OF DUBLIN,
EDUCATION Dartmouth College, Hanover, New Hampshire, 1957-59
University of California, Berkeley,California, B.A. 1962
MUSEUM COLLECTIONS
Museum of Modern Art,New York
Solomon R.Guggenheim Museum, New York
Musee d'Art Moderne, Paris, France
National Museum of American Art,Washington, D.C.
Los Angeles County Art Museum, Los Angeles
Santa Barbara Museum of Art,Santa Barbara, California
The Oakland Museum,Oakland,California
San Jose Museum of Art, San Jose,California
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
University of Kansas,Spenser Museum of Art, Lawrence, Kansas
Franklin D. Murphy Sculpture Garden, University of California at Los Angeles
The Crocker Art Museum,Sacramento, California
Wichita Art Museum,Wichita, Kansas
SOLO EXHIBITIONS
1990 Pepperdine University Art Gallery, Malibu, Calfiornia
Loma Linda University Art Gallery, Riverside, California
1981 Fuller-Goldeen Gallery, San Francisco
1973 San Diego Museum of Art, San Diego,California
Santa Barbara Museum of Art,Santa Barbara, California
1972 M.H.deYoung Memorial Museum,San Francisco
1971 Andre Emmerich Gallery, New York
1966 David Stuart Gallery,Los Angeles
1965 Hansen Gallery, San Francisco
1964 Kornblee Gallery, New York
1963 Everett Ellin Gallery, Los Angeles
1961 Richmond Art Center, Richmond,California
GROUP EXHIBITIONS
1987-90 Oakland's Artists'90, The Oakland Museum, Oakland,California
Monumenta, 19th Sculpture Biennale, Middleheim Sculpture Park,Antwerp, Belgium
BayArea Bronze, Civic Arts Gallery,Walnut Creek,California
Steel Sculpture, International Steel Sculpture Symposium at Park der Berg, Krefeld,
West Germany;Wantipark, Dordrecht, Netherlands;Yorkshire Sculpture Park,
West Bretton, Great Britain;Kunsthall,Bremen,West Germany
Budapest Triennial International Sculpture Exhibition, Palace of Exhibitions,
Budapest, Hungary
Outdoor Sculpture Show, Shidoni Gallery,Tesuque, New Mexico
Sculpture-Modern and Contemporary, Anchorage Museum of History and Art,
Anchorage; traveled to Alaska State Museum,Juneau, and University of
Fairbanks,Alaska
State of California,Art in Public Buildings 1978-1988,Fresno State University;
Traveled Statewide
1986 A Gift of Sculpture, San Francisco Civic Center Plaza, Sponsored by The San Francisco
Arts Commission
Casting Across America, North Dakota Museum of Art, Grand Forks, North Dakota
E XHIP"AIT
BRUCE BEASLEY
GROUP EXHIBITIONS continued
1985 The Art of the San Francisco Bay Area: 1945 to 1980, The Oakland Museum,
Oakland, California
Going Public:A Retrospective Exhibition, Walnut Creek Civic Arts Gallery and Civic Park,
Walnut Creek, California
1983-85 California Sculpture Show, XXII Olympic Arts Festival and the Fisher Galleries,
University of Southern California. Traveling exhibition to Musee d'Art
Contemporain de Bordeaux, France;Stadtich Kunsthalle, Manheim,West
Germany; Yorkshire Sculpture Park,West Bretton,Great Britain;
Sonja Henies Og Niels,Onstads, Norway
Outdoor Sculpture Show, Shidoni Gallery,Tesuque, New Mexico
Art Collectors In and Around Silicon Valley, Euphrat Gallery, DeAnza College,
Cupertino, California
1982 100 Years of California Sculpture, The Oakland Museum, Oakland, California
Northern California Art of the Sixties, deSaisset Museum,Santa Clara University,
Santa Clara,California
Sculpture Invitational, Kaiser Center Roof Garden, Oakland,California
Forgotten Dimension, Two-year tour organized by the Fresno Arts Center,
Fresno, California; 1982-84
The Shoebox Sculpture Show, University of Hawaii;Traveled Internationally, 1982-84
Sculpture '82, Shidoni Gallery, Tesuque, New Mexico
1980 FortyAmerican Sculptors, XII International Sculpture Conference,Washington, D.C.
Across the Nation, National Museum of American Art,Washington, D.C.
Sculpture in Public Spaces, San Mateo Arts Council, San Mateo, California
1979 Spaces, Walnut Creek Civic Arts Gallery,Walnut Creek, California
1976 Fine Art in New Federal Buildings, New Orleans Museum of Art, New Orleans, Louisiana
1975 Public Sculpture-Urban Environment, The Oakland Museum,Oakland, California
1974 Oregon International Sculpture Symposium, Eugene, Oregon
ContemporaryAmerican Painting and Sculpture,Krannert Art Museum, University of
Illinois, Urbana-Champaign
1973 Salon d'Mai, The Luxembourg Gardens, Paris, France
Salon de la Jeune Sculpture, Musee d'Art Moderne, Paris, France
Refracted Images, DeCordova Museum,Worcester, Massachusetts
The Small Format, St.Mary's College Art Gallery, Moraga, California
1972 Sculpture '72, Stanford University Museum of Art, Stanford, California
1971 Translucentand TransparentArt, Museum of Fine Arts, St. Petersburg, Florida
Centennial Exhibition, San Francisco Art Institute,de Young Museum, San Francisco
A Decade in the West, Stanford University Museum of Art, Stanford,California,and
Santa Barbara Museum of Art, Santa Barbara, California
1970 1970 Biennial Invitational, Crocker Art Gallery,Sacramento, California
American Sculpture in Perspective, Sheldon Art Gallery, University of Nebraska,
Lincoln, Nebraska
Pierres de Fantaisie,The Oakland Musuem, Oakland, California
Excellence, University of California Art Museum, Berkeley
Pollution Show, The Oakland Museum, Oakland,California
Looking West, Joslyn Art Museum,Omaha, Nebraska
Sculpture Here and Now, Stanford University Art Museum, Stanford, California
Expo '70, San Francisco Pavilion,Osaka,Japan
A Plastic Presence, The Jewish Museum, New York;Milwaukee Art Center,Milwaukee,
Wisconsin;San Francisco Museum of Modern Art,San Francisco, 1969-70
BRUCE BEASLEY
GROUP EXHIBITIONS continued
1969 Plastics and New Art, Institute of Contemporary Art, University of Pennsylvania,
Philadelphia, Pennsylvania
Contemporary American Painting and Sculpture, Krannert Art Museum,
University of Illinois, Urbana-Champaign, Illinois
1968 Art from California, Janie C.Lee Gallery, Dallas,Texas
1967 California Artists in National Collections, Lytton Center of Visual Arts, Los Angeles
Thirtieth Anniversary Exhibition, Richmond Art Center, Richmond, California
Plastics West Coast, Hansen-Fuller Gallery,San Francisco
1966 Selected Acquisitions, Solomon R.Guggenheim Museum, New York
Twenty-Two Sculptors, California State University at Northridge
Annual Exhibition, San Francisco Museum of Modern Art
Contemporary Art from the Lytton Collectin, Lytton Center of the Visual Arts,
Los Angeles.
1965 Zellerbach Memorial Competition, Palace of the Legion of Honor, San Francisco
Some Aspects of California Painting and Sculpture, La Jolla Art Museum,
La Jolla, California
Annual Exhibition, San Francisco Museum of Modern Art
1964 Albright Knox Gallery, Buffalo, New York
Eleven American Sculptors, University of California Art Museum, Berkeley
Painting and Sculpture Acquisitions, Museum of Modern Art,New York
The Berkeley Gallery,Berkeley, California
1963 Contemporary California Sculpture, Oakland Museum,Oakland, California
Biennale de Paris, Musee d'Art Moderne, Paris, France
Annual Exhibition, San Francisco Museum of Modern Art
1962 Three Artists, Gallery 8,Santa Barbara,California
1961 Art of Assemblage, Museum of Modern Art, New York;traveled to the Dallas Museum
for Contemporary Art, and the San Francisco Museum of Modern Art, 1961-62
Annual Exhibition,San Francisco Museum of Modern Art
1960 Northern California Sculptors Annual, The Oakland Museum,Oakland, California
Painting and Sculpture Annual, Richmond Art Center, Richmond, California
AWARDS AND PRIZES
1989 Individual Artist Award, Oakland Chamber of Commerce, Oakland,California
1967 Purchase Prize, San Francisco Arts Festival, San Francisco
1965 Frank Lloyd Wright Memorial Purchase Award, Marin Museum Association,
San Rafael,California
1963 Andre Malraux Purchase Prize, Biennale de Paris, France
1961 Honorable Mention, San Francisco Museum of Modern Art Annual
1960 Adele Morrison Memorial Medal,The Oakland Museum Sculpture Annual,
Oakland,California
BRUCE BEASLEY
LECTURES
American River College, Sacramento,California
Brown University, Providence, Rhode Island
College of Marin, Fairfax, California
Concordia University, Montreal, Quebec
Crocker Art Museum, Sacramento,California
Dartmouth College, Hanover, New Hampshire
De Anza College, Cupertino,California
Emily Carr College of Art, Vancouver, British Columbia
Hong Kong Museum of Art, Hong Kong
Humboldt State College, Arcata,California
International Sculpture Conference, 1970,72,74,78,80,82,90
Johnson Atelier, Princeton, New Jersey
Miami University, Miami, Florida
Marin Art Association, Mill Valley,California
National Computer Graphics Association Conference, Anaheim,California, 1990
National Endowment for the Arts, Small Business Administration Lecture Series
Osaka American Center, Osaka,Japan
Rancho Santiago College, Santa Ana,California
Santa Barbara Art Museum, Santa Barbara, California
Santa Clara University, Santa Clara, California
Santa Cruz Art Association, Santa Cruz, California
San Francisco Academy of Art, San Francisco
San Francisco Museum of Modern Art, San Francisco
Sapporo American Center, Sapporo,Japan
Stanford University,Stanford,California
The Exploratorium, San Francisco
Town& Gown Club,.Berkeley,California
University of California at Berkeley
University of Hawaii
University of North Dakota
University of Oregon
University of Sydney, Sydney,Australia
Walnut Creek Civic Art Association,Walnut Creek,California
York University, Toronto, Ontario
Visual Arts Center,Anchorage,Alaska
PANEL PARTICIPANT
Commission on a Museum for a New Century
International Sculpture Conference, 1968,72,74,78,80,82,90
Marin-InterArts Panel Discussion, Mill Valley, California
National Endowment forthe Arts Panel, Los Angeles
Public Arts Panel,Sunnyvale, California
Art and the Law Panel, Stanford University, Stanford,California
Northern California Sculpture Conference, Sonoma State University
JUROR
Anacortes Exhibition, Anacortes,Washington
California Arts Council, Sacramento,California
California State Fair, Sacramento, California
College of Marin, Fairfax, California
Hawaii Sculpture Competition, Honolulu, Hawaii
International Sculpture Competition 1980, Washington, D.C.
Marin-InterArts Sculpture Competition
San Francisco Art Commission, San Francisco
San Francisco Art Fair, San Francisco
Sacramento Arts Commission
Hong Kong Museum of Art
BRUCE BEASLEY
PUBLIC AND CORPORATE COLLECTIONS
Arco Corporation, Los Angeles
Capitol Group, Los Angeles
City of Anchorage, Alaska
City of Eugene, Oregon
City of Salinas,California
Crocker Art Museum, Sacramento, California
Djerassi Foundation, Woodside, California
Federal Office Building, San Diego,California. GSA Art in Public Buildings.
Franklin D. Murphy Sculpture Garden, University of California at Los Angeles
Gallaudet College, Washington, D.C.
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
IBM Corporation, New York, New York
Jackson Wax Foundation, Racine, Wisconsin
Kleinewefers GmbH, Krefeld, Germany
Lakeside Mall, Sterling Heights, Michigan
Los Angeles County Art Museum, Los Angeles
Mall at Short Hills, Short Hills, New Jersey
Miami International Airport, Miami, Florida
Musee d'Art Moderne, Paris, France
Museum of Modern Art,New York
National Museum of American Art, Washington, D.C.
Santa Barbara Museum of Art, Santa Barbara, California
San Francisco Arts Commission,San Francisco, (3 pieces)
San Francisco International Airport, San Francisco
San Jose Museum of Art, San Jose, California
Stanford University, Stanford,California, (2 pieces)
State of Alaska, Anchorage,Alaska
State of California, Capitol Office Building, Sacramento, California
State of California, State Office Building, San Bernardino,California
Solomon R.Guggenheim Museum, New York
The Oakland Museum, Oakland,California
Times Mirror Corporation, Los Angeles, California
Tupperware, Inc., Orlando, Florida
University of Kansas Museum of Art, Kansas City, Kansas
Wichita Art Museum,Wichita, Kansas
BRUCE BEASLEY
PUBLIC AND CORPORATE COLLECTIONS
Arco Corporation, Los Angeles
Capitol Group, Los Angeles
City of Anchorage, Alaska
City of Eugene, Oregon
City of Salinas,California
Crocker Art Museum, Sacramento, California
Djerassi Foundation, Woodside, California
Federal Office Building, San Diego, California. GSA Art in Public Buildings.
Franklin D. Murphy Sculpture Garden, University of California at Los Angeles
Gallaudet College, Washington, D.C.
Hood Museum of Art, Dartmouth College,Hanover, New Hampshire
IBM Corporation, New York, New York
Jackson Wax Foundation, Racine,Wisconsin
Kleinewefers GmbH, Krefeld, Germany
Lakeside Mall, Sterling Heights, Michigan
Los Angeles County Art Museum, Los Angeles
Mall at Short Hills, Short Hills, New Jersey
Miami International Airport, Miami, Florida
Musee d'Art Moderne, Paris, France
Museum of Modern Art, New York
National Museum of American Art, Washington, D.C.
Santa Barbara Museum of Art, Santa Barbara, California
San Francisco Arts Commission,San Francisco, (3 pieces)
San Francisco International Airport, San Francisco
San Jose Museum of Art, San Jose, California
Stanford University, Stanford,California, (2 pieces)
State of Alaska, Anchorage,Alaska
State of California, Capitol Office Building, Sacramento,California
State of California, State Office Building, San Bernardino,California
Solomon R.Guggenheim Museum, New York
The Oakland Museum, Oakland, California
Times Mirror Corporation, Los Angeles, California
Tupperware, Inc., Orlando, Florida
University of Kansas Museum of Art, Kansas City, Kansas
Wichita Art Museum,Wichita, Kansas
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PRELIMINARY LANDSCAPE PLAN - =
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r-1, ' of DUBLIN CIVIC .CENTER
Gtl"J-ll1 7�J iAltL 1G�l4 1LI'IC CR.J I-iriv'G GI nL
AGREEMENT
This AGREEMENT is made and entered into as of the loth day
of September, 1990 by and between THE DUBLIN FINE ARTS FOUNDATION
(hereinafter called the "DFA") , Bruce Beasley (hereinafter called
"ARTIST") , and the City of Dublin, a municipal corporation
(hereinafter called the "CITY") .
WITNESSETH:
WHEREAS, DFA desires to arrange for the temporary display of
a large scale work of art at the Dublin Civic Center; and
WHEREAS, the display is part of a comprehensive program
which will include educational services; and
WHEREAS, DFA has made arrangements with ARTIST to display a
sculpture on the Dublin Civic Center grounds which are owned by
the CITY.
NOW, THEREFORE, the parties agree as follows:
1. Consianment .of Sculpture
A. ARTIST agrees to deliver to DFA, for exhibition and
sale purposes, a stainless steel sculpture titled "DORION" which
has approximate dimensions of 30 feet wide and 20 feet high.
B. The ARTIST agrees that the fair market value of the
Sculpture does not exceed (One Hundred Thousand Dollars)
$100, 000.
C. The parties agree that this Agreement shall be
construed in accordance with sections 1738 , gt sea, of the
California civil Code.
D. The ARTIST agrees to consign to DFA the Sculpture
described in Section 1 for one year, except as provided in
Section 4 (B) .
2 . ARTIST'S Rights and Resl2onsibilities
A. ARTIST shall be responsible for the safe and secure
installation of the Sculpture. Said work of installation shall
be coordinated with CITY to avoid damage to underground utilities
and other CITY facilities.
September 5, 1990
114\agree\tirroert.9rm
'EXHIBIT
B. ARTIST shall personally supervise the installation of
the Sculpture.
C. ARTIST agrees to personally participate in a community
educational program, which shall be arranged by DFA.
D. ARTIST hereby expressly warrants that ARTIST is the
owner of the described Sculpture or is the legal representative
of, or has express authority to act as, the agent for the owner
in connection with the consignment hereby made.
3 . DFA Rights and Resnolities
A. DFA shall pay all costs associated with the
transportation of the work from Oakland, California, to the
Dublin Civic Center and shall pay any costs for a crane to place
the Sculpture on a base, if one is required.
B. DFA shall pay all costs associated with the removal of
the Sculpture if the City or DFA request removal. If the
Sculpture is moved pursuant to Section 4 (B) Artist shall pay all
costs associated with removal. This shall include the costs of
transporting the Sculpture to the location it was originally
transported from in Section 3 (A) .
C. DFA shall have the right to photograph and record the
work for purposes of providing documentation of the exhibition,
including a catalogue description, educational programs, or
publicity. DFA shall also have the right to permit any person or
persons to do the same.
4 . Term of Consignment
A. The term of the consignment shall be for one year
following the date of installation. The consignment term may be
extended upon written approval of all parties to this Agreement.
The consignment term may be shortened as described in Section
4 (B) .
B. If the ARTIST sells the Sculpture during any
consignment period pursuant to this Agreement, the Sculpture may
be removed pursuant to the following conditions:
1) ARTIST shall coordinate the removal with CITY to
avoid any damage to CITY facilities.
(2) If Sculpture is removed pursuant to this section
within six months following the date of installation, Artist
shall reimburse DFA for all installation costs incurred pursuant
September 5, 1990
114\agree\fineert.srro 2
to section 3 (A) .
3) All costs identified in Section 3 (B) and
associated with the removal shall become the responsibility of
the ARTIST.
4) A commission equal to fifteen percent (15%) of the
sales price shall be paid to DFA if the work is sold while on
exhibit at the Dublin Civic Center.
5 . Liens
A. Any signs identifying or associated with the Sculpture
shall be approved prior to installation by CITY as to form,
style, materials, content and location.
B. The cost associated with constructing and installing
any approved sign shall be the responsibility of DFA.
6. Insurance
A. The CITY maintains liability insurance coverage which
includes CITY facilities and grounds . CITY agrees to maintain
such liability insurance coverage during the term of this
consignment and to name DFA as an additional insured under such
coverage.
B. CITY maintains property insurance coverage which is
obtained through a joint purchase with other agencies. CITY
agrees to obtain a certificate of insurance evidencing property
damage insurance coverage of the Sculpture against damage or
destruction. ARTIST agrees that the limit of liability for said
coverage is limited to $100, 000 (One Hundred Thousand Dollars)
per occurrence aggregate. Said insurance coverage would be in
effect upon installation of the Sculpture and would remain in
effect until the end of the consignment period.
C. If ARTIST maintains any form of liability or property
damage insurance coverage, any insurance coverage by CITY
pursuant to this Agreement shall be excess insurance only.
ARTIST shall provide CITY with satisfactory evidence of such
insurance coverage.
7 . Aefegs or Damage
A. The ARTIST shall guarantee that, upon installation, the
Sculpture is free of all defects in its design or workmanship.
If, at any time during the consignment period, any defects
September 5, 1990 3
114\a9ree\flneart.erm
attributable to normal wear and tear are observed, ARTIST shall
be notified. ARTIST agrees to promptly and satisfactorily
repair, correct or replace said defects at ARTIST'S expense.
B. The risk of loss or damage to the Sculpture shall be
borne by the ARTIST until the Sculpture has been installed and
after it is removed.
C. CITY agrees that it shall be responsible in the event
of accidental damage or destruction of the Sculpture during the
consignment term. Such liability, however, is expressly limited
to the fair market value of the Sculpture. CITY shall not be
liable to ARTIST or DFA for damage to or destruction of the
Sculpture for any amount in excess of the fair market value.
Artist recognizes and agrees that the Sculpture will be displayed
on public property open to the elements and members of the
public. City shall not be responsible for normal wear and tear,
damage caused by the elements, or scratches, abrasions or minor
surface defects caused by exposure to the public or normal and
customary landscape and maintenance activity. The fair market
value of the Sculpture shall be determined by a qualified art
appraiser mutually agreed upon by the Artist and City.
D. DFA and CITY agree that they will not intentionally
damage, alter, relocate, modify or change the Sculpture in any
way and will take reasonable precaution in order that it will not
be damaged, altered, modified or changed by anyone in any manner.
All notices herein shall be in writing, by certified mail,
return receipt requested, and shall be served as follows:
To DFA at: DFA President
1 Bates Boulevard, Suite 200
Orinda, CA 94563
To CITY at: City Manager
City of Dublin
100 Civic Plaza
P. O. Box 2340
Dublin, CA 94568
To ARTIST at: Bruce Beasley
322 Lewis Street
Oakland, CA 95607
September 5, 1990
114\agree\fineart.srm 4
IN WITNESS WHEREOF, the parties hereto have set their hands
and seals to this Agreement on the date first written.
The Dublin Fine Arts Foundation The City of Dublin
BY BY
President Paul C. Moffatt, Mayor
Artist Attest:
BY:
Bruce Beasley Kay Keck, City Clerk
September 5, 1990
114\agree\fineart.srm 5