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Home My WebLink AboutItem 5.4 DFAF LoanedArtSculpture4 (2) ... ~ ,;---.. e e -. a. CITY OF Dum.;rN AGENDA STATEMENT CITY COUNCIL MEETING DATE: August 8, 1994 SUBJECT EXHIBITS ATTACHED RECOMMENDATION~: FINANCIAL STATEMENT : : Dublin Fine Arts Foundation (DFAF) Loaned Arts Program Sculpture Agreement #4 Report By Diane Lowart, Recreation Director A. / Letter from Lynne Baer, DFAF Consulting Director; dated August 4, 1994 B. / Resume of Peter Voulkos, Artist C. /::Photo of "Sirius" D. ~Location Map E. ~proposed Agreement If the Council concurs with the conditions under which the artwork will be displayed, authorize the Mayor to execute the agreement and direct Staff to work with DFAF to complete the installation. DFAF shall pay all direct costs. Depending on the location, additional landscape maintenance expenses may be incurred. DESCRIPTION . One of the initial goals of the Dublin Fine Arts Foundation (DFAF) was to develop a "Sculpture Park" which would provide residents with an opportunity to experience different types of artwork. The Foundation has, on three previous occasions, made arrangements with recognized artists to loan large sculptures to the city of Dublin to be displayed at the DUblin civic Center. In the attached letter from Lynne Baer, consulting Director for DFAF, it is indicated that the Foundation would like to display a sculpture created by Peter Voulkos. The sculpture being considered for loan is a 47' by 18' bronze sculpture entitled "sirius". A resume of the artist and a photo of the sculpture are attached in Exhibits Band C. The proposed location for this sculpture would be on the rear grounds of the Dublin civic Center adjacent to the Dublin Sports Grounds. The general area under consideration is identified on the attached location map (Exhibit D). The piece was originally commissioned for the Napa Valley Corporate Park by Kemper Real Estate Management company (Kemper). The property has been sold and the buyers want the piece removed by the end of September. Consequently, a site is being sought to display the work until such time that it is sold. The cost of moving and installing the sculpture will be borne by Kemper. The proposed agreement (Exhibit E) is similar to previous agreements used for loaned artwork. Kemper will retain ownership of the sculpture and agrees to display it until such time that it is sold. In the event that the sculpture does not sell and the City desires that the sculpture be removed, Kemper will be responsible for removing it at no cost to the city. The agreement also provides that the Kemper would be responsible for the ~rovision of property insurance coverage in the event of a loss assoclated with the display. Staff recommends that the city council consider the proposal from DFAF and, if approved, authorize the Mayor to execute the agreement. --------~-~------------------------------------------------------ ITEM NO.~ COPIES TO: Linda Jeffery, DFAF President Lynne Baer, DFAF ConSUlting Director .. . CITY CLERK FILE ~ f) \j l- I B -L I '\,- ; '4 F 1 :-I - r~ \ :-~ g '"--- '1'- -. ..... ~..-: r.' U T - .~\1 1) , -or ,. , \. e .1, ) ...a- ,".", .. j EXHIBIT A ....:,I,....y^ ./ :"-..:'li'_,. .., 'v;~~J ''\.,/ August 4, 1994 Mayor Peter Snyder city Council Members City of Dublin 100 Civic Plaza Dublin, CA 94568 Dear Mayor Snyder and city Council Members; The Dublin Fine Arts Foundation is pleased to present for your approval a large-scale bronze sculpture on long term loan for the Dublin Sculpture Park. The Foundation has been approached by a representative for the Kemper Real Estate Management Company to place an important and monumental work by the internationally known Bay Area artist Peter Voulkos on long term loan in the community of Dublin at their cost. Kemper needs a location to exhibit the work until they are able to sell it because the buyers of the property for which the work was originally commissioned want the large-scale sculpture removed by the end of September. Completed in 1990, "sirius" is the largest and most ambitious work in bronze undertaken by Voulkos in his long and illustrious career. Voulkos is best known for his ground-breaking work in ceramics. He was one of the first artists in the late fifties to create large-scale sculpture out of clay, a material that was once considered acceptable only for small utilitarian objects. In the late sixties, he began to work with bronze and has continued over the years to create large-scale bronze works for major museums and public commissions across the United States. In the Bay Area, his bronzes can be seen at the Oakland Museum, San Francisco Hall of Justice, and the University Art Museum in Berkeley. We feel this sculpture will be a positive addition to the Dublin Sculpture Park. The Foundation appreciates the continued support of the City council in our efforts to integrate art into public spaces of the community. Best regards, ~f~ f?CL- Lyine Baer Consulting Director cc: Linda Jeffery, President DFAF P.ll, BO\ ~'II~. III llLl". C.\ 'q~I.f\ ~ a, e e EXHIBIT B PETER H. VOULKOS Born January 29, 1924, Bozeman, Montana of Greek-born parents, Efrosine and Harry Voulkos EDUCATION B.S., Applied Art, Hontana State Universit~, Bozeman, Hontana, 1951 M.F.A., California College of Arts and Crafts, Oakland, Cali- fornia, 1952. PROFESSIONAL TEACHING 1952-54 Archie Bray Foundation, Helena, Montana 1953 Black Mountain College, North Carolina (Summer) 1954-58 Otis Art Institute, Los Angeles 1958-59 Montana State University, Missoula (Summers) 1960-64 Greenwich House Pottery & Teachers' College, Columbia University (Summers) 1959-85 University of California, Berkeley (Retired -1985) HONORS, AWARDS, CITATIOr~S GOLD MEDAL, International Ceramic Exposition, Cannes, France, 1955 RODIN MUSEUM PRIZE in SCULPTURE, 1st Paris Biennale, Museum of Modern Art, Paris, France, 1959 SILVER MEDAL AWARD, International Ceramic Exhibition, Ostend, Belgium, 1959 FORD FOUNDATION PURCHASE AWARD, Pasadena Art Museum, 1959 HONORARY DOCTOR OF HUMANE LETTERS, Montana State University, Bozeman, 1968 4th Biennial CITATIOI1, Marquis Who's Who, 1968 COMMISSION AWARD, San Francisco Hall of Justice Sculpture Com- I petition, 1971 HONORARY DOCTORATE OF FINE ARTS, California College of Arts and Crafts, Oakland, 1972 MEMBER, Academy of Fellows, American Craft Council, 1975 MEMBER, Advisory Screening Committee in Art and Art History, Council for International Exchange of Scholars, Fulbright Committee, 1975-78 SENIOR FELLO"SHIP AWARD, N~tional Endowment for the Arts, 1976 AWARD OF HONOR for Outstanding Contributions to the Visual Arts, California State Fair and Exposition, Sacramento, 1979 HONORARY MEMBER of the Council, National Council on Education for the Ceramic Arts HONORARY DOCTORATE OF FINE ARTS, Otis Institute of Parsons School of Design, Los Angeles, 1980 CITATION for Distinguished Contributions to the Visual Arts. National Association of Schools of Art, 1980 AWARD OF HONOR for Outstanding Achievement in the Field of Art, San Francisco Art Commission CREATIVE ARTS AWARD MEDAL for SCULPTURE for Outstanding Achieve- ment, Brandei~ University, Waltham, Massachusetts, 1982 HONORARY DOCTORATE OF FINE ARTS, San Francisco Art Institute, 1982 ~ <10 e e HONORS, AWARDS" CITATIOnS PETER VOULKOS, p. 2 GUGGENHEIM FELLO"SHIP, John Simon Guggenheim Memorial Founda- tion, 1984 GOLD MEDAL, American Crafts Council, 1986 SELECTED SOLO EXHIBITIOI~S 1952 America House. New. York 1956,58,59 Felix Landau Gallery, Los Angeles 1957 Un i ver s i ty of Sou,thern Ca 1 if orn ~a, Los Ange les 1959 Pasadena Museum of Art, California 1960,64 Museum of Modern Art, New York 1961,64 Primus Stuart Gallery, Los Ange1es 1964 Art Unlimited Gallery, San Francisco 1965 Los Angeles County Museum of Art 1965,67,69 David Stuart Gallery, Los Angeles 1968,74 Quay Gallery, San Francisco 1972 San Francisco Museum of Art 1975 Kansas City Institute of Art, Missouri Helen Drutt Gallery, Philadelphia Fendrick Gallery, Washington, D.C. Braunstein/Quay Gallery, New York 1976 Yaw Gallery, Bloomfield Hills, Michigan Detroit Institute of Art, Michigan 1976,79 Exhibit A, Evanston, Illinois 1978-79 Retrospective Exhibition (touring) San Francisco Museum of Modern Art Contemporary Art Museum, Houston Milwaukee Art Center, Wisconsin American Crafts Museum, New York 1978 Braunstein/Quay Gallery, San Francisco 1979 Foster/White Gallery, Seattle Hill's Gallery, Santa Fe, New Mexico 1980 Okun-Thomas Gallery, St. Louis, Missouri 1980,83 Morgan Gallery, Shawnee Mission, Kansas 1981 Thomas Segal Gallery, Boston Jacksonville Museum of Art, Florida 1981,83 Charles Cowles Gallery, New York 1981,84 Exhibit A, Chicago 1982,84 Braunstein Gallery, San Francisco 1983 Point View (touring) Art Center, Tokyo, Japan Nagoya Tokoname University of Kyoto 1984 Magnolia Editions, Oakland Iowa State University, Ames 1985 Exhibit A, Chicago 1986,87 Braunstein Gallery, San Francisco 1988 Twining Gallery, New York Thomas Seqal Gallery, Boston 1990 Charles Cowles Gallery, New York SELECTED GROUP EXHIBITIONS 1957,58,59 SCULPTURE;ARTISTS OF LOS ANGLES & VICINITY Los Angeles County Museum of Art 1963 66th A~ERICAN PAINTING AND SCULPTURE The Art Institute of Chicaqo (cataloq) 1964 INTERtJATIOI~AL EXHIBIT OF CONTEl-IPORARY CERA~IIC ART Tokyo, Japan (catalog) -;;.- a- e e SELECTED GROUP EXHIBITIONS PETER VOULKOS, P. J 1966 ABSTRACT EXPRESSIOrHST CERAMICS Art Gallery, University of California, Irvine (cat.) 1967 AMERICAN SCULPTURE OF THE 60'S Los Angeles County Museum of Art (cat.) 1970,74 SCULPTURE ANNUAL Whitney ~luseum, flew York I 97 5 S C U L P T U R E : A 1.1 E R I C A f I D IRE C T ION S 1 945 - 7 5 (t 0 u r i n g ) National Collection of Fine Arts, Washington, D.C. Dallas Museum, Texas New Orleans Museum, Louisiana 1976 ZOO YEARS OF AMERICAN SCULPTURE Whitney Museum, New York (catalog) 1979 CALIFORNIA CLAY Florida State University, Tallahassee (catalog) A CENTURY OF CERAMICS IN THE U.S. Everson Museum of Art, Syracuse, New York 1980 SCULPTURE IN CALIFORNIA San Diego Museum of Art (catalog) 1981 MATTER, MEANING, MEMORY Honolulu Academy'of Arts, Hawaii CERAMIC SCULPTURE:SIX ARTISTS (touring) Whitney Museum, New York San Francisco Museum of Modern Art (catalog) 1982 NORTHERN CALIFORNIA ART OF THE 60'S de Saisset Museum, University of Santa Clara, CA VOULKOS/CALLAS I Bruce Museum, Greenwich, Connecticut 1983 MAS1ERS IN CLAY American Art, Inc., Atlanta, Georgia CERAMIC ECHOES;HISTORICAL REFERENCES IN CONTEMPOR- ARY CERAMIC ART Nelson-Atkins Gallery of Art, Kansas City (cat.) 1984 EARTH AND FIRE:THE FRED MARER COLLECTION OF CON- TEMPORARY CERAMICS Galleries of the Claremont Colleges, CA (cat.) ART IN CLAY 1950'5 TO 1980'S:THREE D~CADES OF EVO- LUTION, REVOLUTION & CONTINUATION Los Angeles Municipal Art Gallery 1985 HISTORIES:PAST, PRESENT & UNACCOUNTED FOR Exhibit A, Chicago LIVING TREASURES OF CALIFORNIA Crocker Art Museum, Sacramento, CA (catalog) VOULKOS+AUTIO+LEEDY Leedy/Voulkos Gallery, Kansas City, Missouri 3 0 FRO f~ 2 5 Sheppard Fine Arts Gallery, University of Nevada, Reno (c:ataloq) 1986 WEST COAST CERAMICS Walnut Creek Civics Art Gallery, CA A SURVEY OF SLAB CERAMICS: FROM OBJECT TO EXPRESSION Palo Alto Cultural Center, CA THE SUBJECTIVE OBJECT: STILL LIFE IN PRINTS Art Corridor at Sacred Heart, Menlo Park, CA CRAFT TODAY: POETRY OF THE PHYSICAL Americ~n Craft Museum. New York and touring to Denver Art Museum, Laguna Art Museum, Milwaukee Art Museum. J.B. Speed Art Museum. Virginia Museum of Fine Art (cataloq) 1986-1988 ~. a- e e SELECTED G80UP EXHIBITIOrJS PETE8 VOULKOS, P. 4 1988 CLA)- REVISIONS: PLATE, CUP. VASE Seattle Art Museum. 1987 R e n \\ i c k Go 11 e r y, W.) S hi n g ton. D. C ., 1988 THE ELOQUEtlT OBJECT (catalog) Phi 1. b I.' 00 k 1.1 use u m ~o f A I.' t, T u 1 sa, 0 K , other cities in the U.S., 1957-1989 Museum of Modern Art. Kyoto. Japan. Museum of Modern Art. Tokyo. Japan, THREE SCULPTOR: NEW WORK Twininq Gallery, New York PUTTING POTTERY IN PERSPECTIVE: PAST, PRESENT AND FUTURE (catalog) Clark Arts Center, Rockford College, IL (touring exhibition) (catalog) 1987 touring to and to 1989 1990 six 1990 SELECTED PUBLIC COLLECTIOfJS Albany Mall, State of New York Archie Bray Foundation, Missoula, Montana Arizona State University, Tempe Baltimoie Museum of Art, Maryland Corcoran Galle~y of Art, "ashington, D.C. Cranbrook Academy of Art Museum, Bloomfield Hills, Michigan Crocker Art Gallery, Sacramento, California Den Permanente, Copenhagen, Denmark Des Moines Art Center, Iowa Everson Museum of Art, Syracuse, New York Federal Building, G.S.A., Honolulu, Hawaii Fine Arts Museum, University of Utah, Salt lake City Hall of Justice Building, San Francisco Highland Park Public Library, Illinois Honolulu Acade~y of Art, Hawaii High Museum of Art. Atlanta, Georgia Johnson Wax Collection La J 0 11 a 1'1 use u m 0 f Con t e m p 0 r a I.' y 'A r t, C a 1 if 0 r n i a, Lon g Be a c h 1.1 use u m 0 f A I.' t, 'C a 1 i for n i a Los Angeles County Museum Minnesota Museum of Art, St. Paul Milwaukee Art Center, Wisconsin Museum of Contemporary Crafts, New York Museum of Fine Arts, Boston Museum of Modern Art, New York Nelson-Atkins Gallery of Art, Kansas City, Missouri Oakland Art Museum, California Pasadena Art 1.luseum, California Philadelphia Museum of Art, Pennsylvania Phoenix Art Museum, Arizona Portland Museum of Art, Oregon Renwick Galler~', Smithsonia~ Institution, "ashington, D.C. San Francisco Museum of Modern Art Seattle Art Museum, Washington Smithsonian Institution, Washington, D.C. St. Louis Museum, Missouri Santa Barbara Mu~eum of Art, California Stedelijk Museum, Amsterdam, The Netherlands Tokyo Folk Art Museum, Japan ~. a- e e , SELECTED PUBLIC COllECTIONS PETER VOUlKOS~ P. 5 University Art Museum, Berkeley, California University of Illinois, Urbana University Museum, Carbondale,- Illinois Whitney Nuseum of American Art, New York Frederick Wight Gallery, Univ~rsity of California, los Angeles SELECTED BIBLIOGRAPHY 1978 Slivka, Rose, "Erasing the line Separating the Arts from the rafts," Smithsonian, March, 1978, pp. 86-93, ill. Slivka, Rose, Peter Voulkos:A Dialogue with Clay, New York Graphic Society in association with American Crafts Council, Boston, 1978, 142 pp., ill. levin, Elaine, "Peter Voulkos," Ceramic Monthly, June, 1978, 10 pp. ill. Fischer, Hal, "The Art of Peter Voulkos," Artforum, November, 1978, pp. 41-47, ill. 1 97 9 1< a n e k 0, J un, " Ref 1 e c t ion son the \' 0 u 1 k 0 s R e t r 0 5 pee t i ve ," C r aft H 0 r _ izons, February, 1979, pp. 30-32, ill. Goldberg, Vicki, "Voulkos Clay Revolutionary," Saturday Review, ',1 arc h 31, 1 9 7 9, p p . 3 6 - 3 7, i 11 . Hughto, Nargie and Clark, Garth, A Century of Ceramics in the U.S. 1878-1978, E.P. Dutton, New York, 1979 1980 Tomkins, Calvin, "Erasing the Line," New Yorker, July 28,1980, pp. 83+ 1981 Taylor, Robert, "Voulkos I Clay Explodes from Craft. into Art," Bos- Globe, Nay 17, 1981, ill. Jones, I-lady, "The Clay Peopl'e," San Francisco, June 19tn, pp. 62- 71, ill. Clark, Garth, American Potters, Watson-Guptill Publishers, New York, 1981 Marshall, Richard and Foley, Suzanne, Ceramic Sculpture:Six Artists University of Washington Press, Seattle and London, in associa- tion with the Whitney Museum, New York, pp. 40-55, ill. Selz, Peter, Art In Our Times, Harcourt, Brace, Jovarovich, Inc., and Harry N. Abrams, Inc., New York, 1981, p. 397, ill. 1 982 S t eve n s, ,-, ark, " Bra ve Fe a t 5 0 f CIa y ," New s wee k, J an u a r y 11, 1 98 2 , p. 67-68, ill. Hughes, Robert, "Molding the Human Clay," Time, January 18, 1982, p. 66 - Albright, Thomas, "The Cream of j:alifornia Ceramics," San Francis- co Chronicle, April 10, 1982, pp. 30,34, ill. Albright, Thomas, "Founding Fathers," Museum of California, Oak- land Museum, July/August, 1982, pp. 6-10, ill. 1983 "Peter Voulkos," The Geijutsu-Shincho /17,1983, pp. 18-21, ill. I wa b u chi, J u n k 0, " Pet e r V 0 u 1 k 0 sin J a 'p an," C era m i c M 0 nth 1 y, S e p _ tember, 1983, pp. 52-54, ill. Armstrong, Richard, "Peter Voulk'os," Artforum, November, 1983, p. 70 1984 Albright, Thomas, "Peter Voulkos:Ceramics That Transcend Art," San francisco Chronicle, March 27, 1984, p. 39 1986 Horch, AI, "Two Artists' love of Light and Motion': San Francisco Examiner, January 13, 1986, E-l,4, ill. Baker, Ken, "Peter Voulkos' Visually Magic Balancing Act," San Francisco Chronicle,' January 28, 1986, p. 42 "Voulkos and Company," Susan Fanschel with a grant from the Nation- al Endowment for the Arts, l6mm motion picture, "Four Oakland Artists," Johnny Selvin, Channel 2 production, Oak- land, California, videotape "Peter Voulkos," Sandra Jornlin, videotape ADDENDUM SOLO EXHIBITIONS 1990 1991 GROUP EXHIBITIONS 1987 1988 1989 1990 1991 LECTURES AND WORKSHOPS 1988 1989 FI L"'l AND TAPE 1972 1982 1986 ;;;.-. 1:1-" e e PETER VOULKOS, p. 6 Elaine Horwitch Galleries, Santa Fe, New I-lexico Braunstein/Quay Gallery, San Francisco Leedy/Voulkos Gallery, Kansas City, MO CONTEMPORARY AMERICAN CERAMICS National Museum of Art, Seoul, Korea PETER SELl SELECTS Berkeley Art Center, Berkeley, CA SURREAL CERAMICS John Michael Kohler Arts Center, Sheboygan, WI CLAY REVISIONS Jacksonville Art Museum, Florida, May, 1989 THE OTIS GROUP: CERAMICS FROM THE MARER COLLECTION Lang Gallery, Scripps College, CA, Oct., 1989 THE DOME SHOW National Institute Of Art and Disabilities. Rich- mond, CA, Nov., 1989 CRAFT TODAY (traveling exhibit) Museum of Applied Arts, Helsinki, Finland, 1989 Museum fur Kunsthandwerk Frankfurt, German~, 1989-90 lacheta Gallery, Warsaw, Poland, 1990 30 CERAMIC SCULPTORS Natsoulas/Novelozo Gallery, Davis, CA, April, 1990 OAKLAND'S ARTISTS '90 Oakland Museum, CA, March-July, 1990, catalog BAY AREA SCULPTORS OF THE 1960'~: THEN AND NOW, 1990 Braunstein/Quay Gallery, San Francisco, July, cat~log LOS ANGELES: THE 50'S AND 60'S James Corcoran Gallery, Los Angeles, CA, Jan-Feb, 199. Lecture, The Clay Studio, December, 1988 Clay Workshops, Callas Anagama Kiln, Belvidere, New Jersey, June and July, 1989 ADDENDUM SOLO EXHIBITIONS 1992 1993 1994 GROUP EXHIBITIONS 1992 1993 1994 ~" 4~ e e PETER VOULKOS. P.7 Louis Newman Galleries, Beverly Hills, CA Braunstein/Quay Gallery, San Francisco Perimeter Gallery, Chicago Hordaland Artists Center, Bergen, Norway (travelling) RM'! Gallery, Oslo, Norway Nordenfeljeldske Applied Art Museum, Trondheim, Norway Kunstnernes Hus, Saltholmsgade, Denmark Museum of. Ceramics, The Grimmerhus, Denmark INVITATIONAL EXHIBITION OF PAINTING & SCULPTURE, American Academyand Institute of Arts & Letters, NY CALIFORNIA LEGACY: CONCEPTS IN CLAY FHP Hippodrome Gallery, Long Beach, CA (catalog) MEETING OF THE MASTERS (travelling) Kunst Industri Museet, Oslo, Norway Lilleha~mer Bys Malerisamling, Lillehammer, Norway THE LEGACY OF THE ARCHIE BRAY FOUNDATION, 1951-1993 Archie Bray Foundation, Helena, MT (travelling) Bellevue Art Museum, Bellevue, WA (catalog) CELEBRATING ARTISTRY IN CRAFT: AMERICAN CRAFT COUNCIL GOLD MEDAL RECIPIENTS, 1975-1993 Chicago Cultural Center, Illinois AMERICAN, CRAFT COUNCIL GOLD MEDAL RECIPIENTS, 1975-1993 Charles A. Wustum' Museum of Fine Arts, Racine, WI VISIONS II Louis Newman Galleries, Beverly Hills, CA ESSENTIALS Charles Cowles Gallery, NY CLAY 1993, A NATIONAL SURVEY William Traver Gallery, Seattle, WA VESSELS: CONSTRUCTED!DE"CONSTRUCTED Beth Urdang Gallery, Boston, Mass. THE ARCHIE BRAY FOUNDATION: A CERAMIe TRADITION Paris Gibson Square Museum of Art, Great Falls, MT CALIFORNIA CONFERENCE FOR THE ADVANCEMENT OF CERAMIC ART, ANNUAL EXHIBIT I John Natsoulas Gallery, Davis, CA HONORS AND AWARDS LOUISE NEVELSON AWARD IN ART, American Academy and Institute of Arts and Letters, NY, 1992 SELECTED BIBLIOGRAPHY 1991 Baker, Kenneth, "Strong New Work by Voulkos," San Francisco Chronicle, March 2, 1991 Bonetti, David, "Photos breathe life into sculpture; new Vou1kos on view," San Francisco Examiner, March 1, 1991, p.C Tho r son, Al ice, "V 0 u 1 k 0 s' C era m i c Su r v Iv 0 r s," The I< a n sa s C i i Star, December 29, 1991 1993 Artner, Alan G., "VoulkosReturns With Stlrring Feats of Clay," Chicaoo Tribune, November 5, 1993, Section 7, p.69 Kangas, Mathew, "Feats of Clay, thanks to the folks at the Bray," Seattle Times, September 20, 1993 ; " Am e r i can C r aft Co u n c i 1 Gold 11 e d a 1 i s t s , Am e r i can C r aft, August/September, 1993, 1l1us., .p.l13 White, Cheryl, "Towards an Alternative History, Otis Clay Revisited," . American Craft, August/September, 1993, pp.120~ 125, iIlus. ~- 4. _ e SCULPTURE COMMISSIONS AND PURCHASES (SELECTED) "Lady Remington," Litton Savings and Loan, Pomona, Califor- nia, 1962, bronze "Honk," Pasadena Art Museum (Ford Foundation Purchase Grant,) 1963, bronze "Vargas II," Phoenix Art Museum, 1964, bronze with steel and wood "Bad Day at Shattuck," Private Collection, 1964, bronze "Big Remington III," La Jolla Museum of Contemporary Art, 1964, bronze with steel and wood "Big A," City Mall, Fresno, California, 1965, bronze and alu- minum "Dunlop," AlbanY,Mall, Albany, New York, 1965, bronze "Firestone," Los Angeles County Museum of Art, 1966, bronze and aluminum "Pirelli," Private Collection, 1967, bronze "Solea," Long Beach Museum of Art, 1968, copper-nickel, monel and bronze "Taranta," Johnson Wax Collection, Racine, Wisconsin, copper- nickel, monel and bronze, 1969 "Mr. Ishi," Oakland Museum of Art, bronze, 1970 "Hiro II," San Francisco Museum of Modern Art, copper-nickel, monel and bronze, 1970 "Return to Piraeus," University Art Museum, University of Cal- ifornia, Berkeley, copper-nickel, monel and bronze, 1971 "Hall of Justice," San Francisco Hall of Justice, bronze, 1971 "Miss Nitro," Highland Park Public Library, Highland Park, Illi- nois, bronze, 1972 "Osaka," E.B. Crocker Art Gallery, Sacramento, California, bronze, 1975 i "Barking Sands," General Services Administration Federal Build- ing, Honolulu, Hawaii, 1977, bronze "Sirius," Priva'te Collection,. Napa Valley Corporate Park, Napa, California, 1992 (installed), bronz,e . /' '~r , 'r/ ". . :.t',-'''''.'' . ." . ~.~~... .. ""_ r" .. ,.'r. ',..- ",- '/:'~.I.' ...-- e EXHIBIT C e ~\ .: 'i ".~r", <,~~':k Do. ~ ..m -s:: ~ (j) - )<. ~ -Q tl ~ t- ::r ....... .:J.. & ~ [ '::- ~ ~ --:. ~ c:5 0- <:S :Z. +- <:::s ~ <:lJ ---" e .:2 :=;: ~ ':> :0 ...... J.L -- -- <Jf1.oci-:-" '-'..' . -'. t.':Ll':-, '_. ~.. GC1.:;].IS ""::} -, ---.. -. . . . . "'- ~ , , . : l.: .,' fr~, ...."....... (' = \,. I" \ >- .. , ......... \ 'f '> ie:::::............ .......'., , . ~ ( i . ", , e )' I "'\"'\,,; ') \/ ... <-!""--- .-'- EXHIBIT 0 e 7. <( .J .(L . uJ r \Jl II l . .r ~ .Ji,.. e e EXHIBIT E AGREEMENT THIS AGREEMENT is made and entered into as of the day of , 1994 by and between THE DUBLIN FINE ARTS FOUNDATION, a non-profit corporation (hereinafter called the "DFAF"), Kemper Real Estate Management Company, (hereinafter called ("OWNER") and the CITY OF DUBLIN, a municipal corporation (hereinafter called the "CITYII). WITNESSETH: WHEREAS, DFAF desires to arrange for the temporary display of a large scale work of art at the Dublin Civic center, in Dublin, California; and WHEREAS, DFAF has made arrangements with OWNER to display a sculpture on the Dublin civic Center grounds which are owned by the CITY. NOW, THEREFORE the parties agree as follows: 1. Consianment of Sculpture A. OWNER agrees to deliver to DFAF, for exhibition and sale purposes, a Sculpture titled IIsiriusll (IISculpture") which has approximate dimensions of 47 feet in length and 18 feet high. B. OWNER agrees that the fair market value of the 3culptun~ does not exceed (Three Hundred Thousand Dollars) $300,000. C. The parties agree that this Agreement shall be construed in accordance with sections 1738, et ~ of the California civil Code. D. OWNER agrees to consign to DFAF the Sculpture described in section 1 for one year, except as provided in Section 4(B). E. OWNER agrees to remove the Sculpture at the request of the CITY. 2. OWNER'S Riahts and Responsibilities A. OWNER shall be responsible for safe and secure installation of the sculpture. Said work of installation shall be coordinated with CITY to avoid damage to underground utilities and other CITY facilities. . B. OWNER, or his authorized representative, shall personally supervise the installation of the Sculpture. C. OWNER hereby expressly warrants that he is the owner of the described Sculpture or is the legal representative of, or has express authority to act as, the agent for the owner in connection with the consignment hereby made. ~ G' - e D. OWNER shall pay all costs transportation of the Sculpture from the Park to the Dublin Civic Center, and the installation and removal of the Sculpture. 3. DFAF Riahts and ResDonsibilities A. DFAF shall have the right to photograph and record the Sculpture for purposes of providing documentation of the exhibition, including a catalogue description, educational programs, or publicity. DFAF shall also have the right to permit any person or persons to do the same. associated with the Napa Valley Corporate costs associated with 4. Term of consignment A. The term of the consignment shall be for one year following the date of installation. The consignment term may be extended upon written approval of all parties to this Agreement. The consignment term may be shortened as described in section 4(B). B. If the OWNER sells the Sculpture during any consignment period pursuant to this Agreement, the Sculpture may be removed pursuant to the following conditions: 1) OWNER shall coordinate the removal with CITY to avoid any damage to CITY facilities. 2) If Sculpture is removed pursuant to this s~ctiO;l ~ithin six months following the date of installation, OWNER shall reimburse DFAF for any installation costs incurred by DFAF. 3) If the work is sold to a party brought to the OWNER by DFAF or the CITY while on exhibit at the Dublin Civic Center, a commission equal to ten percent (10%) of the sales price shall be paid to DFAF. 5. Signs A. Any signs identifying or associated with the Sculpture shall be approved prior to installation by CITY as to form, style, materials, content and location. B. The cost associated with constructing and installing any approved sign shall be the responsibility of DFAF. 6. Insurance A. CITY maintains liability insurance coverage which includes CITY facilities and grounds. CITY agrees to maintain such liability insurance coverage during the term of this consignment and to name DFAF as an additional insured under such coverage. .-.-- :A' e e B. OWNER agrees to maintain property insurance coverage on the Sculpture and shall provide CITY with satisfactory evidence of such insurance coverage. 7. Defects or Damage A. The OWNER shall guarantee that, upon installation, the Sculpture is free of all defects in its design or workmanship. If, at any time during the consignment period, any defects attributable to normal wear and tear are observed, OWNER shall be notified. OWNER agrees to promptly and satisfactorily repair, correct or replace said defects at OWNER'S expense. B. The risk of loss or damage to the Sculpture shall be borne by the OWNER. C. OWNER recognizes and agrees that the Sculpture will be displayed on public property open to the elements and members of the public. CITY shall not be responsible for normal wear and tear, damage caused by the elements, or scratches, abrasions or minor surface defects caused by exposure to the public or normal and customary landscape and maintenance activity. D. DFAF and city agree that they will not intentionally damage, alter, relocate, modify or change the Sculpture in any way and will take reasonable precaution in order that it will not be damaged, altered, modified or changed by anyone in any manner. 8. Notice All notices herein shall be in writing, by certified mail, return receipt requested, and shall be served as follows: To DFAF at: DFAF President To CITY at: city Manager city of Dublin 100 civic Plaza P.O. Box 2340 Dublin, CA 94568 To OWNER at: ~ -.4' e e IN WITNESS WHEREOF, the parties hereto have set their hands and seals to this Agreement on the date first written. DUBLIN FINE ARTS FOUNDATION, a non-profit corporation CITY OF DUBLIN, a municipal corporation By: President By: Mayor KEMPER REAL ESTATE MANAGEMENT COMPANY ATTEST: By: President By: City Clerk