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HomeMy WebLinkAboutItem 8.2 Wallis Ranch Public Artor 19 82 /ii � 111 DATE: TO: STAFF REPORT CITY COUNCIL October 20, 2015 Honorable Mayor and City Councilmembers FROM: Christopher L. Foss, City Manager " SUBJECT: Wallis Ranch Public Art Prepared by Tegan McLane, Cultural Arts & Heritage Manager EXECUTIVE SUMMARY: CITY CLERK File #600 -60 The City Council will consider public art to be installed in the Wallis Ranch subdivision. Trumark Homes ( "Trumark ") is under construction with Wallis Ranch, a 184 -acre residential development near the northeasterly City limit, west of Tassajara Road, near the intersection with Fallon Road. In order to meet the requirements of the City's Public Art Ordinance, the developer has opted to install public art versus paying the in -lieu fee. Per the Public Art Master Plan, all private developers are required to meet with the Heritage and Cultural Arts Commission for review of the artwork. Upon recommendation by the Heritage and Cultural Arts Commission, the developer must seek final approval of the artwork by the City Council. FINANCIAL IMPACT: 1101 RECOMMENDATION: Staff recommends that the City Council approve the proposed public artwork for Trumark's Wallis Ranch development. � r Submitted By l Reviewed By Parks and Community Services Director Assistant City Manager DESCRIPTION: Trumark Homes ( "Trumark ") is currently under construction with Wallis Ranch, a 184 -acre residential development near the northeasterly City limits, west of Tassajara Road, near the intersection with Fallon Road. On September 1, 2015, the City Council approved the first subdivision map for Wallis Ranch, to include two parcels designated for public park land to be improved by the Trumark. Page 1 of 3 ITEM NO. 8.2 Trumark opted to install public art versus paying the in -lieu fee. Attachments 1 through 4 show the proposed artworks and provide an overview of the Artist's qualifications and statement for the project. Per the Public Art Master Plan, all developers providing public art are required to meet with the Heritage and Cultural Arts Commission for review of the artwork. Upon recommendation by the Heritage and Cultural Arts Commission, the developer must seek final approval of the artwork by the City Council. Artist Selection Process The Public Art Master Plan encourages private developers to follow an artist selection process consistent with the City's policies for selection of artists and artworks. Trumark demonstrated a process mirroring the City's own established process of selecting public artists from a shortlist of public artists that have been pre- screened by the City. Trumark contacted the City's Heritage and Cultural Arts Manager for a list of recommended artists. Based on the interviews and reviews of the short- listed artists' past work, Trumark selected sculptor Eric Powell for the project. Mr. Powell was contracted by Trumark to begin conceptual design work. Trumark has proposed a public art package designed by Mr. Powell and consisting of original art gates at the community entrance, original art benches along the public trail, art screens to be incorporated into the Antone Pavilion structure and a free - standing public art sculpture, titled The Globe. The preliminary designs were reviewed by the Parks and Community Services Director, Heritage and Cultural Arts Manager, and planners in the City's Community Development Department. Staff recommended some safety - related modifications to the panels at the Antone Pavilion and relocation of The Globe sculpture closer to Tassajara Road to provide greater visibility of the piece. Trumark has incorporated the City's recommended safety changes and has worked with Staff to relocate the Globe closer to Tassajara Road, adjacent to its developer - funded public park planned for Tassajara Drive, just south of Fallon Road. It should be noted that when the design of the park begins, the developer and City's Landscape Architect may propose different locations for The Globe if the design process presents other art opportunities in the park. Any change in location would be reviewed by the Heritage and Cultural Arts and Parks and Community Services Commissions prior to consideration by the City Council. The artist has provided a brief statement of his inspiration for each piece, since he is unable attend this rescheduled item, due to a prior commitment. Community Outreach In addition to including Staff in the review and critique of the artwork, as specified in the Public Art Master Plan, Trumark also performed outreach to the Dublin community. Trumark hosted an open house on August 31, 2015, for the public to meet Mr. Powell, inspect preliminary designs and offer comments and concerns. Trumark issued invitations to the same notification list it has previously used for other public meetings related to the development, to prospective homeowners on its interest list, to both Heritage and Cultural Arts and Parks and Community Services commissioners and to participants in the Inside Dublin leadership program. Approximately two dozen people attended the public meeting. Feedback at the meeting was mostly positive. A resident of the neighboring Silvera Ranch community expressed concerns that the Globe sculpture is positioned too close to Tassajara and that it does not represent the Silvera Ranch community. Another Silvera Ranch resident expressed concerns about lighting Page 2 of 3 the piece and the possibility that its size might distract drivers or attract non - residents to the area. Review by Commission Following the public open house, Trumark presented the proposed artwork to a Special Joint Meeting of the Heritage and Cultural Arts Commission and Parks and Community Services Commission on September 10, 2015. While public art is under the purview of the Heritage and Cultural Arts Commission, the Parks and Community Services Commission was included in the review process, as The Globe was proposed to be at the northern edge of the park. Both commissions unanimously recommended the City Council approve the proposed artwork. NOTICING REQUIREMENTS /PUBLIC OUTREACH: A public meeting notice was mailed to residences within 300 feet of the proposed project. A copy was also sent to the Heritage and Cultural Arts Commission and Parks and Community Services Commission. ATTACHMENTS: 1. Wallis Ranch Artist Resume 2. Wallis Ranch Artwork Renderings 3. Wallis Ranch Public Art Map 4. Wallis Ranch Artist's Statement Page 3 of 3 Eric Powell 812B Camelia Street, Berkeley CA, 94710 eric@ericpowell.com www.ericpowell.com Born San Jose, CA 1960 EDUCATION 1978 -1979 University of Southern California, Idylwild, CA Studied painting with Francois Gilot, metalsmithing with Fred Kabote. 1980 -1982 California College of Arts, Oakland, CA Studied painting, drawing and sculpture with instructors including Robert Colescott, Denis Leon, Viola Frey, and Michael McClure. 1979 -1980 Grossmont College, San Diego, CA Studied drawing, art history, and film making. SELECTED EXHIBITIONS Napa Artwalk Annual juried exhibition with a sculpture, Skiff, on display for 12 months, Napa, CA. 2010 Shibumi Gallery solo exhibition, Berkeley, CA. 2007 The Gardener solo exhibition, Berkeley, CA. 2005 Robert Berman Gallery Interplay, solo exhibition, Santa Monica, CA. 2003 Oakland Cultural Art Center Big, Little, The Metal Art Guild annual group exhibition. Oakland, CA. 2002 Museum of Craft and Folk Art Full Circle, The Metal Arts Guild annual group exhibition, San Francisco, CA. 2001 Bolinas Museum A Matter of Form, Eighth Annual Northern California juried exhibition. Bolinas, CA. 1997 Frederick R. Weisman Art Museum The International Library, group exhibition, permanent collection. Minneapolis, MN. 1996 Selected Public and Private Projects, 2003 -2014 2014 San Francisco Redevelopment Agency Flotilla, Hunter's Point Shipyard, San Francisco, CA San Jose Arts Commission and Summerhill Homes Mirassou, narrative panels depicting the history of winemaking, San Jose, CA Dublin Heritage and Cultural Arts Commission Wellspring, a sculpture for West Dublin Bart Apartments, Dublin, CA City of Napa Restoration, sculptural benches for downtown Napa, CA. 2013 Pima Arts Council Calabashes, sculptures for two transit stops, Tucson, AZ City of Sunnyvale and BRE Development Tools & Technology, a sculptural archway in downtown Sunnyvale, CA City of Fremont Angle Grind, sculpture and railings for Fremont Skate Park, Fremont, CA 2012 Reno - Sparks Indian Colony Native Land, two 90 -foot long sculptures, Reno, NV Berkeley Arts Commission Bookcases, a sculptural railing for Claremont Library, Berkeley, CA 2011 Los Angeles County Arts Commission Cul de Sacs, entry gates for firehouse #156, Santa Clarita, CA BART Arts Commission Migration, a four -part sculpture for the Daly City Bart Station, Daly City, CA Brentwood Arts Commission Brentwood, A three -part artwork for the Brentwood Civic Center, Brentwood, CA San Francisco Arts Commission Cayuga Portals, entry gates to Cayuga Park, San Francisco, CA Affordable Housing Associates Confluence, entry gates for Harmon Gardens, Berkeley, CA KOH11 Stockton Arts Commission Tools of the Trade, Pixley Slough Bridge Project Sculptural Wind Screens, Stockton, CA Brentwood Arts Commission Five Sculptures for Brentwood Veterans Park, Brentwood, CA Brentwood Arts Commission A three -part public art project for the new Civic Center that includes Animal Fence at the children's playground, a mural and mosaic fountain, Brentwood, CA 2009 Stockton Arts Commission Fish Railing, sculptural elements for the Stockton downtown promenade, Stockton, CA San Francisco Arts Commission Currents, 30' long wall sculpture for Ingleside Library, San Francisco, CA Alameda County Arts Commission Tree of Knowledge, sculptures at the entrance of Castro Valley Library, Castro Valley, CA 2008 Black Pine Circle School Black Pine Gates, entry gates for a private elementary school, Berkeley, CA 2007 Cambridge Arts Commission Commons, entry gate for the historic Cambridge Commons, Cambridge, MA Berkeley Arts Commission Mandala Gates, entry gates for Berkeley Corporation Yard, Berkeley, CA 2006 Madison Arts Commission Ripple Effect, gateway for Goodman Swimming Pool complex, Madison, WI Brentwood Arts Commission Water Temple, an approved sculpture project for Prewitt Ranch, Brentwood, CA 2005 Atherton Heritage Foundation Mark Hopkins Family Mansion, entry gates, Atherton, CA 2004 Oakland Arts Commission Bella Vista Park Gate, entry gate for Bella Vista Park, Oakland, CA 2003 Golden Gate Parks and Recreation Aerial Roots, five permanent sculptures for the Conservatory of Flowers, Golden Gate Park, San Francisco, CA ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ WON Odd. io i, y ! �a PI 4; `4 l 1. •. w� � � � * 1 r f i ��+�" .'mow— __ +�.�.:• ',L - " �a� M •rte _ '. �� L�,s Y. k or 1 e � 3a' 35 At der �r► � r ■ '��� - 1 1 b 8 � � lo At IN M MEW 7 it •. 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Two sets are dou- ble gates, 14', 8" x 4' high each. The design for the gates is inspired by the shapes of grasses found on the Wallis Ranch land. The hills surrounding Wallis Ranch are cov- ered with a range of native grasses. 3) Benches: The benches are of a very similar design as the gates. They are inspired and informed by the shapes of grasses found on the Wallis Ranch land. Two benches are on the walking trail, and one bench is in back of Antone Pavilion. 4) Antone Pavilion: Two sculptural screens, both mounted outside the pavilion. They are inspired by vintage industrial steel objects that were found on the property, including hand tools, tractor parts and horseshoes. A descriptive plaque will be included with the screens. Completion of the public art project: Spring of 2016 Studio: 812 b Camelia Street, Berkeley, CA 94710 1 ph: 415.407.5060 1 eric @ericpowell.com www.eriepowell.com